Some news on the upcoming Bourne movie, via Games Radar
Matt Damon is soon to return to the Bourne franchise, having sat out the Jeremy Renner-starring Legacy, and according to the star, the fifth film in the series will be inspired by recent real-world happenings. As Damon explained to BuzzFeed, the Edward Snowden affair proved to be the inspiration he and director Paul Greengrass were looking for, with the events of 2013 having a significant influence on the plot of the new film.
“Without giving too much of it away, it’s Bourne through an austerity-riddled Europe and in a post-Snowden world,” explains Damon. “It seems like enough has changed, you know? There are all these kinds of arguments about spying and civil liberties and the nature of democracy.”
As is traditional with the Bourne movies, this latest outing will span various global locations, with even the choice of setting having a political context. “We’re starting in Greece, you know, the beginning of democracy,” explains Damon. “And the movie ends in Las Vegas, the most grotesque incarnation…” Bourne 5 will open in the UK and US on June 29, 2016.
New project for Matt and Ben!
Ben Affleck and Matt Damon are teaming up to bring the FIFA soccer scandal to the big screen, adapting the upcoming book Houses of Deceit by Buzzfeed reporter Ken Bensinger.
As first reported by The Hollywood Reporter, Warner Bros. picked up the rights to Houses of Deceit, which will be produced by Damon and Affleck’s production company, Pearl Street Films. EW has confirmed that Gavin O’Connor (Warrior) is set to direct the film, reteaming with Affleck in their first project since wrapping up The Accountant. Warrior screenwriter Anthony Tambakis is attached to script.
News of the deal ends a studio bidding war for Houses of Deceit, which Bensinger hasn’t even been published yet. Based on a 2014 article by the Pulitzer Prize finalist that delves into the story of former American FIFA executive Chuck Blazer—who in 2013 admitted to accepting millions of dollars in kickbacks and bribes over the course of 20 years—the book has been picked up by Simon & Schuster and is slated for publication sometime in 2017.
Though no casting decisions have been made, Bensinger says he envisions Blazer being portrayed by someone like John Goodman, whom he says would bring “fury and comedy to the role.”
The story of Blazer’s involvement in a high-profile bribery scandal showcased the dark underbelly of soccer, revealing illicit corruption throughout the international body. At one point, Blazer used his position of influence to finance a Trump Tower apartment in Manhattan—just to house his cats. The New York native later cooperated with authorities in an in-depth investigation, and in May of this year, the 70-year-old pleaded guilty to 10 charges including wire fraud, money laundering, racketeering, and income tax evasion.
“I love the con-man story and just love that this is about a very strong sense of good and bad,” Bensinger says. “There’s not a lot of ambiguity about how these people behave. The IRS and FBI, and all these people who sort of did the good work and brought down something that was untouchable, because the power of FIFA internationally is unbelievable. It’s as if you combined the MLB, NBA, NFL, and NHL into one organization.”
Looks like Matt had to drop out of Manchester-by-the-sea due to schedulling conflicts. Via Collider:
Matt Damon’s busy schedule has forced him to drop out of reteaming with Margaret writer/director Kenneth Lonergan on the drama Manchester-by-the-Sea, but a friendly face will be filling in. Casey Affleck revealed to the Boston Globe (via The Playlist) that he’ll be replacing Damon as the lead in Lonergan’s new film, which revolves around a Boston plumber who is forced to look after his 16-year-old nephew after his brother passes away, but is hindered by a secret tragedy in his past. The You Can Count on Me writer/director Lonergan is an incredibly talented filmmaker, so his next effort is anticipated by many (myself included). No word on when production might begin.
Damon is currently leading Ridley Scott’s sci-fi drama The Martian and is poised to reteam with Paul Greengrass on another Bourne film for release in 2016, so fitting Manchester-by-the-Sea into his schedule ultimately proved impossible.
Universal has also announced that the “Untitled Next Bourne Chapter” will be released on July 29, 2016. Via Collider:
No offense to Aaron Cross and his chems, but if we have to have another Bourne movie, I’m glad it’s with Matt Damon and director Paul Greengrass. After years of Damon refusing to do a sequel without Greengrass to the point where Universal threw up their hands and decided to reboot the franchise, the duo is returning. Furthermore, they’re going to be writing the script along with Christopher Rouse, who doesn’t have a writing credit but has edited all of Greengrass’ movies since The Bourne Ultimatum, which is perfect since Greengrass is known for finding the movie in the editing room anyway.
It’s worth noting that this will be the first Bourne movie without the involvement of Tony Gilroy, who is credited with the screenplay for all four Bourne movies, and he also directed The Bourne Legacy. However, in 2011, Damon slammed Gilroy’s Bourne Ultimatum script, telling GQ:
“It’s really the studio’s fault for putting themselves in that position,” Damon tells GQ. “I don’t blame Tony for taking a boatload of money and handing in what he handed in. It’s just that it was unreadable. This is a career-ender. I mean, I could put this thing up on eBay and it would be game over for that dude. It’s terrible. It’s really embarrassing. He was having a go, basically, and he took his money and left.”
Damon quickly apologized, although he didn’t retract his statement regarding the quality of the script. But again, script isn’t so much an afterthought in a Greengrass movie as much as it’s a broad outline, and I’m a little surprised it’s taken this long to officially credit his editor as a co-writer.
As for where this “next Bourne chapter” will take the character, I’m curious but also cautious. The Bourne Ultimatum is such a terrific conclusion to the character’s arc, and it was also a very sharp piece of political commentary regarding the War on Terror. If Greengrass still wants to make a political statement, there’s no shortage of material—spying on Americans; secret torture programs; drone strikes—and it will be interesting to see where a Bourne story fits in at the end of the Obama Administration as opposed to Ultimatum, which came near the end of the Bush Administration.
New Bourne movie? Yes, please! Via Deadline:
DEADLINE EXCLUSIVE: Jason Bourne is coming back. Universal Pictures has begun making deals with Matt Damon and director Paul Greengrass to reunite for their third film in The Bourne Identity series, sources tell me. This is an absolute stunner — and Universal would not comment nor would the reps — because Greengrass told Deadline as recently as last year that once Bourne regained his memory, there was no place else for the character to go creatively. His search formed the spine for the trilogy Damon starred in.
Well, they’ve figured it out. I’m told that the studio is so bullish on this that the intention is to make the reteam the next Bourne film to go into production to make the July 16, 2016, release slot that Universal had previously assigned to an untitled Bourne film. That means it would step in front of the spinoff sequel that is to reprise Jeremy Renner and be directed by Fast & Furious architect Justin Lin. That film, which began with the Tony Gilroy-directed The Bourne Legacy, remains in development. I thought its premise— Renner plays one of several genetically altered assassins, all of whom are targeted for death — was smart and satisfying on its own. Universal intends to continue that series and to broaden its franchise base, much the way that Marvel cranks out superhero films. The Bourne Legacy was a good start to a new franchise, but Jason Bourne is a hard act to follow. Now, franchise-hungry Universal has both of them. Lin can probably use the time, as he signed on to direct the second season of the HBO series True Detective.
I saw The Equalizer as it premiered in Toronto, and it reminded me of The Bourne Identity, in that both are sophisticated adult thriller franchises where the protagonists are capable of high-action exploits but aren’t running around in spandex. Even though I could not get corroboration, I am confident enough to say that, probably very soon, these deals will all be done and that fans will be pretty happy to have Bourne back.
Both Damon and Greengrass are perpetually busy. Damon next stars for Ridley Scott in The Martian, and Greengrass has several projects percolating, most recently circling at Fox The Ballad Of Richard Jewell, the story of the security guard at the Atlanta Olympics who uncovered a suspicious backpack and cleared the crowd away from a park before it exploded, only to be vilified as a possible terrorist in the advent of the 24-hour news cycle. Leonardo DiCaprio and Jonah Hill are going to star in that one, and Captain Phillips scribe Billy Ray has penned the script. Damon’s repped by WME, Greengrass by CAA.
It’s become almost a yearly occurrence in the entertainment world to report on the possibility of Matt Damon returning to the Bourne franchise. To be truthful, who can really blame people for looking forward to the hint of another adventure with Jason Bourne, as the original trilogy spanned throughout almost a decade long reign of consistently intelligent espionage and fast-paced adrenaline. So it will come as no surprise to anyone that Matt Damon has gone on record yet again to say that he is open to the return of Jason Bourne, so long as Paul Greengrass comes back with him.
CNBC recently had Matt Damon on their CNBC Meets program, and as you’ll see in the interview above with host Tania Bryer, the keys to bringing him back to the table are the right story and Paul Greengrass. Mr. Damon threw in the following statement, so as to hedge his bets:
[quote]”It felt like such a good way to end it the last time, but having said that I love that character… and I’d love to see what happened to him.” [/quote]
While Matt Damon has always said that the story of the trilogy wrapped itself up with the end of Jason Bourne’s search for who he really was, it doesn’t seem like he’d have a problem getting into gear again to find out what happens to the man who knows everything he’s ever wanted. Come to think of it, any idea that brought him and Paul Greengrass to the table would be infinitely better than a continuation of the usually stellar Tony Gilroy’s The Bourne Legacy.
Between the film’s attempt at tying into The Bourne Ultimatum and adding yet another clandestine program gone horribly wrong, the film proved that if the Bourne series is going to even have a shot at a legacy, it’s best we just forget that the first attempt to continue it even existed. No offense against Jeremy Renner, but the Bourne franchise is, and should always will be a Matt Damon affair. If Paul Greengrass is required, then Universal would smart to trying and re-acquire Mr. Greengrass’ Memphis project as a gesture of good faith. While fast tracking its production and funding it in, the studio could exchange that favor for the next Bourne picture.
Of course, the best strategy would be for Universal to offer a “one for us, one for you” package that ensures a trilogy out of both Damon and Greengrass, as well as three other side projects that are also relevant to their interests. As long as they can come up with the right story, we could be set for another thrilling decade of Jason Bourne, and (if they can figure out how to integrate him properly) Aaron Cross.
DEADLINE EXCLUSIVE: Matt Damon is negotiating to join The Monuments Men, the period drama that George Clooney will direct in January in Europe as a co-production between Sony Pictures and 20th Century Fox. Damon joins what continues to be shaping up as an amazing cast. Besides Damon and Clooney, the film will star Skyfall‘s Daniel Craig, Bill Murray, Cate Blanchett, The Artist’s Jean Dujardin, Argo‘s John Goodman, Hugh Bonneville and Bob Balaban. Clooney and Damon did the Ocean’s Eleven movies together and Syriana.
The drama, which was scripted by Clooney and partner Grant Heslov, confronts the final chapter of Germany’s rule, which came down to the absolute destruction of everything that makes a culture keep its standing, including the lives that are lost and the sacrifices that are made. All of this is in danger of being lost forever as Hitler and the Nazis try to cover the tracks of a murderous regime. A crew of art historians and museum curators unite to recover renown works of art that were stolen by Nazis before they are destroyed.
Heslov is producing through their Smokehouse banner. Alexandre Desplat is doing the score, and the crew is the same as from the Ben Affleck-directed Argo, which Clooney and Heslov produced and Desplat scored. Damon will next be seen in the Oscar-bait Gus Van Sant-directed Promised Land, which Damon and co-star John Krasinski wrote together and which Focus Features releases wide January 4 after an Oscar-qualifying run later this year. Damon is repped by WME.
Matt’s new movie project is “Promised Land” could be hitting theaters this year! Here’s the article from IndieWire:
Could Gus Van Sant and Matt Damon be headed back to the Oscars? That could be the case if word on their latest collaboration, “Promised Land,” bears out.
The folks over at The Film Stage picked up on a recent feature article on the film in the Pittsburgh Post Gazette that dropped a handful of interesting nuggets about the upcoming movie, which was co-written by and co-stars John Krasinksi alongside a cast that includes Frances McDormand, Hal Hobrook, Rosemarie Dewitt, Scoot McNairy and Titus Welliver. Perhaps the biggest bit of info is that Krasinski reveals the movie could be in “a small number of theaters” by the end of the year. Van Sant had already put together an assembly cut during filming, and “is editing the movie and will huddle with his fellow producers and others at summer’s end and tweak the movie through the fall.” Putting those small clues together, our guess is that “Promised Land” will have some kind of awards consideration run, before a wider release in 2013. As for a festival appearance in the fall? We reckon it’s a possibility.
As for the film itself, it will find Damon playing Steve Butler, a corporate salesman who arrives in a rural town with his sales partner, Sue Thomason (McDormand). With the town having been hit hard by economic decline in recent years, the two outsiders see the local citizens as likely to accept their company’s offer, for drilling rights to their properties, as much-needed relief. What seems like an easy job for the duo becomes complicated by the objection of a respected schoolteacher (Holbrook) with support from a grassroots campaign led by another man (Krasinski) who counters Steve both personally and professionally. As you might guess from that logline, there is an environmental angle at play, and early on, there was one word around the interwebs that the movie was an “anti-fracking” screed (fracking is essentially the process by which water and chemicals are blasted to separate rock layers to extract gas and oil). But not so, says Krasinski.
“Fracking for us became a backdrop. The original script was about wind power,” he explains adding about the rumors, “The idea of fracking or natural gas was just a very apropos news story that was beginning to grow a year and a half ago. I just chose that as the background and, of course, that has grown into something quite wild in and of itself.”
So what will the film address thematically? “I don’t want to give too much away, but the situation people are in financially is very, very real. And what they’re protecting is a community and a lifestyle that they believe very, very strongly in,” he explains. “So, for some of the characters in the movie, it’s a choice to give up everything that they are and everything that they have come from, in order for a quick paycheck, which I think is in keeping with a lot of the different opportunities that are going on in the country today, whether it’s the derivative market or anything else.”
In short, the film is more about the values of America today and how they’ve shifted from our parents’ generation, something that Krasinski remembers his father recollecting. The “way he described his upbringing and the country and the community that he grew up in, and how everything was incredibly honorable and loyal and incredibly rather simple in the best way — going to work, having family, having friends, and taking care of what you needed to take care of, and there wasn’t really much else. And someone’s word was as valuable as anything else,” he shares.
Sounds like the kind of big, broad ideas that Oscar loves and with Van Sant at the helm, a script from Damon and Kraskinski and a pretty compelling cast, this one is inching up our list of anticipated movies for 2012. Hopefully we’ll know more soon, but this could be a dark horse for the end of the year.
The Candelabra was formely known as just “Liberace”, now has a new title and more actors:
Dan Aykroyd’s acting appearances have been pretty randomly spaced out lately, with his recent appearances on-camera including a couple of episodes of The Defenders, which put him opposite fellow former SNL star Jim Belushi. This latest bit of TV casting involving Aykroyd sounds like it might be a more serious role for the actor.
Variety is reporting that Aykroyd is set to join the upcoming HBO TV movie centered on musician Liberace, titled Behind the Candelabra. He joins previously cast Michael Douglas and Matt Damon. Douglas is set to play Liberace, while Damon is set to play his domestic partner, Scott Thorson. And now Aykroyd has been brought on board to play the role of Seymour Heller, “Liberace’s long-time manager who disapproved of his relationship with Thorson.”
I haven’t read Thorson’s memoir, My Life with Liberace, which is the basis for this film, but it sounds like Heller might not be the most likable character. Aykroyd is great at roles that portray him as the friendly guy (see Ray Stantz in Ghostbusters or Elwood Blues in The Blues Brothers), but he’s just as good, if not better, at characters that are meant to intentionally rub you the wrong way (see Roman Craig in The Great Outdoors, Zalinski in Tommy Boy and/or the governor in Evolution). But that’s all based on his comedic work. He’s done drama before (Pearl Harbor, Chaplin), but this sounds like it could be a heavier role. So it should be interesting to see what he does with the part. He’s certainly in good company, and another reason to anticipate this project.
Production is set to begin on Behind the Candelabra this summer.
Looks like the Matt Damon & John Krasinki film now has a title: Promised Land. Matt was initially set to direct it, but due to schedule conflicts, he’ll just star on it. Gus Van Sant (Good Will Hunting) is set to direct it. Here is the article from Deadline:
I’m told that Focus Features and Participant Media won a bidding battle for the untitled film that Gus Van Sant will direct with Matt Damon and John Krasinski starring, from the script those actors co-wrote. Focus and Participant are tying down the details. You’ll recall that Damon planned to make his directing debut on the film, but when his schedule made that impossible, he and producer Chris Moore brought it to their Good Will Hunting director Van Sant, who signed on. The film, which got a first draft from Dave Eggers when its title was Gold Mist, is a Capraesque tale in which Damon and Krasinski play rival corporate executives. Damon plays a sales executive who arrives in a small town only to have his whole life called into question. Moore, Damon and Krasinski will produce and production begins in April.
When Damon was directing, the film had been set up at Warner Bros through the production shingle that Damon has there with Ben Affleck. It’s a $15 million budget, and it seems better placed at Focus and Participant, which are teaming up for the first time.
Krasinski had the idea for a film that had resonance in the current climate of economic hardship caused by corporate greed. Krasinski paid Eggers out of his own pocket to write the first draft, then showed it to Damon and Moore while the latter were making The Adjustment Bureau, which starred Damon and Krasinski’s wife, Emily Blunt. Eggers was unavailable to do more work on the script, so Damon and Kraskinski rewrote it together.