Matt Damon would “never sell” out a director.
The actor-and-screenwriter says once he has agreed to appear in a movie or has hired a filmmaker for the project he could never get rid of them, even if he didn’t think it was working out, because he’d already committed to the project.
He told Men’s Health magazine: “My movies being really good or watchable always depends on everybody being really good, not just me. I’m particularly sensitive about making sure we secure the best possible people in each role because I am not somebody who can overcome if we don’t.
“And then, for me, once I make that commitment, I never will sell the director out on that project. You cannot change horses midrace. Even if your horse is losing, you ride the horse as hard and as fast as you can. If there was a mistake made, it was made in your initial decision to work with that person.”
Matt – who is currently starring in thriller ‘The Adjustment Bureau’ alongside Emily Blunt – also revealed he and writing partner Ben Affleck never take offence when their ideas are criticised by the other person.
He said: “When one of us comes up with an absolutely f**king horrible idea, which happens all the time, the other person, without batting an eyelash, says ‘That’s a terrible idea.’ And neither of us has our feelings hurt, and we just kind of move on.”
Had you wanted to work with Joel and Ethan Coen for sometime?
Matt Damon: Yeah, forever. I first met Joel in 1994 when I did a cable TV movie [‘The Good Old Boys’] with his wife Fran [Frances McDormand] down in West Texas. So I had met Joel in West Texas 16 years ago and it took them that long to offer me a job! [laughs]. But I was dying to work with them and any actor you talk to would say the same thing. If you ask for a shortlist of directors, they would be right there.
Was it fun building your character, LaBoeuf?
MD: He’s a great character and it was a lot of fun. I worked with Tommy Lee Jones in 1994 when he directed ‘The Good Old Boys’, which Fran and I did with him and that’s when I first met Joel and Ethan. And Joel and Ethan subsequently worked with Tommy to incredible effect in ‘No Country for Old Men’ and Tommy gave a remarkable performance in that. And actually, I had Tommy as a frame of reference [for ‘True Grit’] because he’s from West Texas. And he’s also somebody who is really fun to listen to, he knows a lot about a lot, and there’s something of the English teacher in him – you can ask him an obscure question and he enjoys knowing what he knows [laughs]. And so we kind of riffed on that. It’s not exact but it’s a similar way of presentation. My character in ‘True Grit’ is supposed to be a windbag – it’s like he comes over as a man who knows everything but actually doesn’t know very much at all! Not that Tommy’s like that, but Tommy is a great storyteller. And that was where we started to build the guy.
How does Matt Damon sustain his string of successes? With a lot of help from friends like new costar Emily Blunt. (And just maybe a little talent of his own.)
On a Wednesday morning, Matt Damon and his wife, Luciana, delivered their fourth child, a baby girl. The following Monday, he’s talking to me.
But not about birthday methods. He doesn’t consider his family to be interview fodder—would yours be? So we talk about something any farther can identify with: the urgent desire to perform well on the job.
And as we talk, he shows an unusual trait for a walking franchise: reflexive, impenetrable humility.
“It’s always hard to talk about yourself, but…” He stops. Redirects. “There are actors who are just movie stars, you know? They just are. You can’t take your eyes off them when they’re on the screen. I know what that thing is, and I see it in some of my friends, but that’s just not who I am. My movies being really good or watchable always depends on everybody being really good, not just me. I’m particularly sensitive about making sure we secure the best possible people in each role because I am not somebody who can overcome if we don’t.”
Matt and Emily Blunt are on the cover of March editions of Women’s Health and Men’s Health. Also Empire Magazine has a The Adjustment Bureau feature on it’s March issue. And it seems Men’s Health has 2 different covers (or maybe different country editions?)
If you can scan and send them in, please e-mail me at firstname.lastname@example.org. Thank you.
The Adjustment Bureau costars Matt Damon and Emily Blunt were the lucky ones chosen to be the first-ever cover stars of both Men’s and Women’s Heath, which hit newsstands today. Emily has been doing double duty promoting their collaboration as well as Gnomeo and Juliet, and we had the chance to learn all about her former gnome fears while at the recent junket for the animated picture. Emily and Matt are on the March editions of the Health magazines to chat all about their upcoming film, their close friendship, and how she got into shape to play a ballet dancer. Matt also shared a few choice words about movies he feels are made just based on a star’s power at the box office — projects that he strives to avoid. They said:
* Matt on Emily’s acting abilities: “There are a lot of great actresses her age right now, but Emily is just f—king unbelievable.”
* Emily on having fun with Matt: “I met Matt and he was lovely and very funny, and instantly, I thought, ‘Oh, we could be like teenage boys together. Just be weird and stupid and silly.'”
* Emily on getting in shape to play a ballet dancer: “I looked like an aerobics teacher. My shoulders puffed out, my back looked like there was a barrel of snakes in it and I had an eight-pack!”
* Matt on movies that are just star vehicles: “That’s like watching someone jerk off, really. It’s just absolutely not at all interesting, and not something I want to spend any time doing.”
Hollywood heavy-hitter Matt Damon has his head on straight, as CARMEL MELOUNEY discovers
MATT Damon is renowned as the consummate Hollywood professional, so it feels a little disconcerting to walk into a hotel room and be ignored by the man crowned Sexiest Man Alive in 2007.
It’s especially awkward because only two people are in the room.
In New York to discuss his new film, Hereafter, Damon is anxiously awaiting news from his wife Luciana, who is about to give birth to her fourth baby and the couple’s third child together.
The Oscar-winning actor met his Argentine wife while she was bartending in Miami in 2003.
Damon’s dedication to his family is evident as he frantically texts on a Blackberry after taking a seat, and apologises for his lack of attention.
“OK, I’m a terrible multi-tasker,” he says as he drops his Blackberry on the floor. While other actors may have appeared rude as they juggled a Blackberry and a waiting journalist, Damon is unfailingly polite about it and clearly uncomfortable with having to do so.
Judging from Matt Damon’s body of work, one would think that Hollywood has definitely been kind to him. In fact, with his latest movie, it seems Damon’s lucky streak still holds. “True Grit,” his upcoming starrer directed by the Coen (Joel and Ethan) Brothers, is creating quite a buzz in the Oscars; but more so, it has been an opportunity for Damon to finally suck it up to the two directors he’s been dying to work with.
An adaptation of Charles Portis’ novel with the same title instead of a remake of the 1969 film, expectations are high considering the original movie was a John Wayne classic for which he won his only Oscar. “It’s hard to find material that feels like it’s not just a retread of something,” Damon says. “But this is a western that deserved to be made. I think Clint (Eastwood) did it to great effect 15 years ago but I read everything and I hadn’t come across a script that was this good, with directors of this caliber and a role like this. It was a very easy decision for me.”
The fact is, even Damon admits that choosing movie roles hadn’t been too hard for him since he did the Bourne series. “Suddenly my choices became really easy –like Paul Greengrass would call or Martin Scorsese. It’s ridiculous! Like, someone would ask me ‘why did you do this movie?’ Well, that’s easy, if Martin Scorsese asks me to do a movie I’m there. It’s not even a choice. If the Coen Brothers ask you to work with Jeff Bridges on ‘True Grit,’ that’s easy. I was in before I knew what the movie was. And then I looked at it and the script is great.”
IT’S every little boy’s dream to be in a western, but for Matt Damon, True Grit had certain magic ingredients.
It was being directed by the Coen brothers, starred the double-punch talent of Jeff Bridges and Josh Brolin, and was based on a classic 1968 novel by Charles Portis.
The last time True Grit was worked into a film, it won its star, John Wayne, an Oscar, for his portrayal as US Marshal Rueben “Rooster” Cogburn.
So for Damon, who plays interfering Texas Ranger LaBoeuf, it was simply a case of “where do I sign?”
“This project, it’s like a dream,” says Damon.
“I get a phone call. The first phone call is, like, `The Coen brothers are considering you for a role in their next movie.’
“That’s really exciting. Then I find out that they’re doing True Grit.
“I go talk to them and they give me the book. I had never read the book and the book is fantastic. It really is. It really is a great piece of American literature that I totally missed and then I read their adaptation – I write scripts – and it’s really great. It’s a really great adaptation.”
This time Bridges takes on the role of Cogburn, the ageing, drunken, one-eyed marshal, hired by 14-year-old Mattie Ross (Hailee Steinfeld) to avenge her father’s death.
It was the role that won Wayne a long-awaited Oscar in 1969. But the Coen brothers, Joel and Ethan, who built their reputation on films such as Fargo, O Brother, Where Art Thou and No Country for Old Men, didn’t consider that they were doing a remake. They were going back to the book and by the book.
Their story focuses on Mattie’s tale, with newcomer Steinfeld stealing many scenes and Elizabeth Marvel providing the voice of her adult narrator.
“What they did, which was so smart, was that they used all this dialogue that Portis had written in the book,” says Damon.
“Charles Portis is still alive. He’s down in Arkansas. He’s almost 80 years old and he just had this incredible ear for dialogue.”
The Cohen brothers, who meticulously plan each scene in advance, sent Damon a series of storyboards to look through.
“You get this chunk, this big, thick book and you can literally just look at the movie, how it’s going to be shot.
“They have such a mastery of the whole process that there’s none of the anxiety or stress. I was just like, `Wow. What a great experience’.”
A little surprisingly, Damon has still not seen John Wayne’s version. He owns the movie on DVD, he promises, but it still remains in its plastic shrink wrap.
The busy actor, who has also been working on Clint Eastwood’s Hereafter, in which Damon plays a factory worker who can communicate with the dead, and thriller-romance flick The Adjustment Bureau opposite Emily Blunt, simply hasn’t had a chance to watch it.
“I kept saying that I had to see it because I knew I was going to be asked (about it), but I just haven’t had time. I asked (the Cohen brothers) about that, I said, `Should I see the movie?’ And they said, `Well, no we’re not really doing a remake. We’re going to the original source material and we’re doing the book. So the book is what we really need you to focus on’. ”
The interesting thing about True Grit essentially a tale about tough grown men is a little girl.
Steinfeld, only 13 at the time of filming, impressed her directors and co-stars in her portrayal of Mattie.
Against the advice of her elders, self-assured Mattie hires a reluctant choice of marshal Cogburn to hunt down her father’s killer Chaney, played by Brolin.
Damon’s character, a ranger who is on the hunt for the same man for a different crime, is more headache than hero. It’s Mattie who displays the “true grit” of the film’s title.
“I think the central character, the true grit of Mattie, the girl who’s on the cusp of womanhood,” he says.
“It’s about the loss of her innocence, but this incredible spirit of this girl and then these really colourful characters that come around to flesh out the story.”
Damon knows all about raising girls. He and his Argentine-born wife Luciana Bozan Barroso have four of them. Alexia, 12, is her daughter from a previous marriage, then there’s Isabella, 4, Gia, 2, and Stella, who was born in October last year.
An experienced dad, Damon was impressed with Steinfield’s maturity when he first met her and how she would take direction from the Coen brothers in the same way as he or Bridges would.
“I met her in New Mexico to rehearse and I just remembered being more struck by how poised she was, shockingly. I mean, I have a 12-year-old, but to see a 13-year-old (like that), it was alarming.”
True Grit is Steinfeld’s first movie and she was chosen from a pool of 15,000 to take on the role.
One of the most challenging scenes to shoot was where the weak-willed LaBoef loses it and takes to spanking her.
“Well, I’ve had a lot of practice,” father Damon laughs.
“They put a board over her and I’m hitting this board. So she couldn’t even feel it. She was laughing, saying, `I can’t even feel you hitting me’. But it had to be brutal enough that Jeff would pull his gun out and point it at me. So that was it.”
In an age in which high technology and fantastic tales of superheroes and futuristic characters reign supreme, True Grit proves there is still a place for a classic, character-driven western story.
How does Damon approach that as an actor?
“What we’re doing is setting up a sequel where Transformers come in and that’s the big play here. That’s the big idea,” he jokes.
“We’re just using the first one to set that up and then we’re going to do like 14 of these things back to back.
“Every summer there’s going to be a new Transformers meets the True Grit cast. No, I think that sometimes you see these lurches in different directions, like suddenly it’s all 3D or suddenly it’s all superhero movies.
“There’s always a kind of correction and I think at the end of the day people love good stories.”
What about Matt Damon in the Supporting Category for True Grit!? So subdued and relaxed yet something pretty surprising happened — I forgot I was watching Matt Damon. He became a pretty integral part of the film’s tone. Could it have worked without him? Yes. But he played the part EXACTLY the way it needed to be — not too over-the-top, not too quirky. And I know it’s not a remake, but if it’s any compensation, he outclassed Glen Campbell in every way (see: True Grit, 1969) —Robert
On the day I am due to interview the British screenwriter Peter Morgan, the eyes of the world are turned to Zurich to find out which countries will be selected by Fifa to host the 2018 and 2022 World Cups.
As we all now know, England’s bid to host the former tournament was doomed to failure – a situation one might imagine would appeal to this award-winning author.
Morgan, after all, is a man who – in such films as The Deal, The Queen, Frost/Nixon and The Last King of Scotland – has shown an affinity for turning the likes of Tony Blair, David Frost, Richard Nixon and Idi Amin into compelling protagonists.
He is no stranger to the beautiful game either, having brought football manager Brian Clough back to life in 2009 film The Damned United.
Neill Blomkamp’s ELYSIUM Set 100 Years in Future; BLADE RUNNER Production Designer Syd Mead Joins Film
Elysium, the upcoming film from District 9 director Neill Blomkamp, is continuing to gain heat. After casting Matt Damon, Jodie Foster, and Sharlto Copley, the film is currently being pitched to various studios (with the exception of Disney, which won’t make expensive R-rated movies). Deadline reports that Blomkamp is going from studio to studio with a storyboard presentation. Also, while we knew the story (which is still being kept under wraps) would take place in the distant future and on another plantet, Deadline is reporting that the film takes place 100 years into the future, is “an unabashedly big movie”, and has the same social allegory of District 9.
Hit the jump for more details on Elysium including the hiring of Blade Runner production designer Syd Mead.
Syd Mead, whose credits include not only Blade Runner but also Aliens and TRON, will design the sets for the movie. Mead doesn’t work on a lot of films these days (his only credits in the past decade are Mission to Mars and Mission: Impossible III) , but he was impressed by District 9 and that encouraged him to join Blomkamp’s follow-up.
According to Deadline, the film will begin prep in April and start shooting in Vancouver this July before moving on to shoot in Mexico City in the fall. Elysium is being set up for release in holiday 2012, but the release date decision ultimately falls to whichever studio decides to pick up the project. Considering the talent already on board, I imagine we’ll be announcing a home for Elysium in the very near future.
Sony has reportedly picked up the film for $120 million.