Great new interview where Matt talks about We Bought a Zoo, music, crying while watching movies and Tom Cruise, by The Washington Post:
I’m a little worried about “We Bought a Zoo.”
With all the hype about mega-marketed holiday films such as “The Girl With the Dragon Tattoo” and “Mission: Impossible — Ghost Protocol,” I fear moviegoers may forget all about Cameron Crowe and Matt Damon’s dramedy, or perhaps just dismiss it outright because the title is, admittedly, a little goofy.
They shouldn’t. For starters, Damon delivers one of the most authentic and likable star turns of his career as Benjamin Mee, the widower and father of two who, uh, well, buys a zoo. (In addition to being goofy, the title is also kind of a spoiler.)
I recently chatted with Damon and Crowe about the film for this Sunday Style piece, which, because of space limitations, couldn’t possibly capture the many topics covered during a 40-minute conversation. In addition to discussing New Yorker critic David Denby’s initial dismissal of “We Bought a Zoo,” we also talked about the impact that using music on the set (a signature Crowe move) had on Damon’s performance, as well as the acting abilities of their current multiplex competitor, Tom Cruise.
Here are more extracts from that interview, in which Damon uses big words like “amygdala” and says of Cruise, “He is a much better actor than I think people understand.”
Damon, on Crowe’s use of music during takes: There’s something that happens with music, and I’d never thought of using it this way, but it’s so brilliant because it’s so emotional. It’s like it leapfrogs your neocortex and goes straight to your amygdala and suddenly you’re feeling these things. It’s not rational; it’s going right really to your heart. As a performer, it’s just pulling stuff out of you.
That Jonsi music we have in the movie. . . . The song where I’m looking at the iPhoto stuff and looking at my wife [in the movie] — the song that’s in the movie is the song Cameron played that day, and it’s completely responsible for that whole sequence. It took me places that there is no amount of directing or cajoling or persuading he could have done to get me to that place. He didn’t say anything; he put the song on and we were gone. So that was something I’ve never seen before that’s an unbelievably valuable tool for me going forward, and eventually as a director.
Crowe, on why he changed his mind and decided to play music during certain takes of “We Bought a Zoo”: It happened on the first day when we were doing the scene in the hallway of the school. It was a close-up on Matt, and he kind of turned into the shot. I had two instincts: One is, wow, Matt has really connected to this character and this is the movie happening before me. And the second: I hear Tom Petty, “Don’t Come Around Here No More.”
So I put it on, on instinct, and something started to surge on Matt’s face and in the people around us, and it felt like music has always been for me, kind of an emotional partner. And suddenly we had kind of another character in the room, which was the music. As soon as the take was over, Matt and some other people came over and said, “Wow, I really felt that.” I think in that instant I pivoted and decided to keep doing it. And one of the reasons was because Matt just soaks up music. He’s a music fan, and the music was always a reminder of what movie we were in. And sometimes that’s so much more profound than anything you could say.
Damon, on whether he’ll use music when he makes his directorial debut next year: Definitely, definitely. I’m already thinking about that, when to use it and what songs. Because it really does work.
It was weird to come across a tactic — like, I thought I knew everything. Tactically speaking, without geeking out on theory, a lot of people make good movies, and I know a lot of them and we talk. And so, it was surprising to have this happen on the first day of filming. I was so excited. I had dinner with Ben Affleck that night, actually, and it’s all we talked about, was this Tom Petty thing that had happened. I just couldn’t believe it. I was like, man, you have no idea what this felt like. It was all about a feeling and being lifted by this music, and so yeah, it’s definitely something that I want to do. Because it works.
Damon, on what gets to him in Crowe’s movie “Jerry Maguire”:
There are a few parts, actually. I was watching it with my wife. It’s Tom [Cruise], is what gets to me. Tom’s performance is what gets to me, ultimately. He anchored that movie. He’s such a better actor than I think people understand, and that performance is still great 15 years later. It is worth going back and looking at again. It is one of the great leading-man performances.
When a movie gets to you, there are a bunch of things that start to work on you. The relationship between Cuba [Gooding Jr.]’s character and his wife, that starts to get to me. By the end of it I’m just so teed up for the final scene with Tom and Renee [Zellweger] in front of the women’s group. My wife looks over, and tears are running down [my face] and I’m wiping them away.
But it got to her, too. . . . I’m not ashamed to say that.
Crowe and Damon, on the possibility of Crowe making a movie that brings together Damon, Cruise and “Say Anything . . .” star John Cusack:
Damon: I love that idea.
Crowe: Oh, man. Tom Cruise came to visit the set when we were making “We Bought a Zoo,” and I kind of stood back at a certain point and watched the two of them talking, and I had the same idea. It’s like, damn. . . .
Damon: I had met [Tom Cruise] briefly a couple of times, but we really got to talk and, uh, spend a little time together. And then I talked to him on the phone after he saw some scenes. He dropped by the editing room and saw some stuff and called me. And that was amazing.
Matt Damon is featured on the January 2012 cover of GQ magazine.
Is there friggin’ anything Matt Damon can’t do? As the action hero/leading man/activist/Oscar-winning screenwriter/sitcom revelation/Internet meme finally makes the transition to Serious Director, we’re about to find out
I’m ducking Matt Damon. We’re supposed to meet at the Central Park Zoo ticket booth precisely at noon, but I’m not there. I’m thirty feet away, standing behind a huge oak tree, keeping watch.
Cameron Crowe, the director, has urged me to try to get a glimpse of the 41-year-old actor when he doesn’t know I’m there. “Matt’s fans relate to him as an older brother or a member of the family. And that’s how he relates to them,” Crowe says, recalling how during the shoot of their new movie, We Bought a Zoo, he liked to do reconnaissance on Damon as he signed autographs and interacted with his public.
The Boston native, who now calls New York home, can be reticent in interviews, reluctant to reveal too much or get too personal. I want to observe him in his natural habitat, and I imagine that my stealth will be rewarded with the kind of unguarded moment that can only be viewed in the wild. As minutes pass, however, and I don’t spot him anywhere, a thought looms: This is Jason Bourne I’m hunting—the master of evasion. What if Matt Damon is ducking me?
Stepping into the open, I sort of wave my notebook like a journalistic homing beacon, and suddenly there he is, all smiles. “Hi, I’m Matt,” he says, extending a hand. He’s in jeans, a gray waffle-y long-sleeve T-shirt, and what look to be brand-new black Puma sneakers. He has a knit cap pulled down to his eyebrows, which makes it easy to notice that his hat and his eyes are exactly the same blue. He’s taller than I thought he’d be and exactly a quarter inch taller than the man standing next to him: a gray-haired, bespectacled guy in pleated chinos and a baseball cap.
“This,” Damon proclaims, “is my dad.”
When Damon the younger pulls out a credit card to gain us entry to what we will all agree must be the smallest zoo on earth, Damon the elder (his name is Kent) observes wryly, “This is the first time the son buys the father a ticket to the zoo. When has that happened before?” Whereupon the son grins big and says, “There’s, like, a disturbance in the Force!”
“Come on,” Kent says. “Let’s go see the polar bears.”
As we set off, I’m immediately struck by the constant cross-generational ball-busting between father and son. For example, the story of when 12-year-old Matt announced his intent to play point guard for the Boston Celtics.
Kent: I said, “Matt, I have to tell you a little bit about the real world.”
Matt: My favorite player was Tiny Archibald, and he goes, “You know they call him Tiny because he’s six foot one.” He told me that he was the tallest Damon to ever evolve at five foot ten.
Kent: Five ten and a half, by the way.
Matt: Used to be, man.
Kent: Not that we’re sensitive about it.
Read the rest of the article at GQ.com
More Matt Damon & Steve Sodebergh movies? I approve! And it’s a competition with George Clooney? Meaning more movies from both? I approve twice!
Washington, Oct 17 (ANI): Matt Damon has revealed that he is determined to outdo his friend George Clooney and appear in more of director Steven Soberbergh’s movies than him.
Till now both the stars have been seen in the same number of Soberbergh’s movies, with each of them having one in the pipeline, but now Damon has shown his will to outdo his friend in the collaboration stakes.
“We’re tied at six. But I’m going to win – that’s all I’m saying. We each have another one lined up with Steve and then I’m hoping that I can sneak in as an extra in the one he directs after that. I told Steven that it really matters to me. I want the title. I really want it,” Contactmusic quoted him as saying.
The 41-year-old actor who can next be seen in ‘Contagion’, a thriller about a fatal pandemic that sweeps the world admitted that the subject matter made everybody involved in the movie more hygiene conscious.
“Steve actually sent the script over with a note that read, ‘Read this and then wash your hands.’
“We were saying when we were making the movie, ‘We should get some stocks in Purell [a hand sanitiser]‘. We did have that conversation,” he added.
Via: Truth Dive
Matt Damon has revealed George Clooney may be “a pro” at pranks, but Brad Pitt once got the better of him.
The trio worked together on Ocean’s Eleven, Ocean’s Twelve and Ocean’s Thirteen, and Matt admitted the silver-haired heartthrob was hard to catch out.
“I’ve never gotten George, no. The thing is, George is a pro. He’s very tough to get. He’s got them all down. He’s very, very funny,” he told Shortlist magazine.
But the Contagion actor added: “The best one I saw on George was on Ocean’s Twelve when Brad had a fake memo translated and given to the Italian crew. It was this whole thing saying, ‘Please do not look Mr Clooney in the eye, only refer to him as Mr Ocean or Danny (the name of George’s character).’
“It was so the opposite of George that he was mortified and when he found out, he was not happy about it.
“So that was the one time I saw someone get him.”
Back in 1997, Matt Damon and Ben Affleck catapulted to stardom, winning an Oscar for writing “Good Will Hunting,” the coming-of-age story in which they also starred. They were the young toasts of Hollywood, and in the years that followed, each went on to make some impressive films: “Saving Private Ryan,” “Rounders” and “The Talented Mr. Ripley” for Damon, and “Armageddon,” “Shakespeare In Love” and “Boiler Room” for Affleck.
Damon continued to make hit films, starting up the Bourne series, amongst others, but it became a bit more dicey for Affleck. He suffered through a number of public relationships, and began featuring in movies that didn’t quite hit it big with the public or critics; “Gigli” and “Daredevil,” amongst others, now stain his IMDB page.
Life wasn’t easy, and as his best friend and writing partner, Damon had a hard time watching it.
“That was really hard for me to watch as his friend, because I didn’t think it was fair to him,” Damon told Shortlist.com, before shifting over to Affleck’s more recently revived career. “It’s more of a relief to me, to be honest. As his writing partner, I know how great he is. I always knew that better than anybody, so now I just feel vindicated. So I’m not at all surprised, but I’m glad to see him doing so well and it’s turned back the way it should be. Everything is right with the Force again.”
Indeed, Affleck has returned to making hit movies, not only as an actor, but now as a director, too. He got behind the camera for his first feature in 2007, directing the solidly received “Gone Baby Gone,” and then scored a major hit with his 2010 crime pic, “The Town.”
In fact, the two old partners are planning a reunion.
“Yeah, we really want to work together again,” he said. “We have a couple of things we’re developing and we have a deal together over at Warner Bros, but he’s making a great movie right now called ‘Argo.’ It’s really, really good.”
Affleck is directing and starring in that film, the true story of the bizarre way the CIA worked to rescue hostages in Iran in the late 70s. Bryan Cranston, John Goodman, Kyle Chandler and Alan Arkin also star in the film. Damon, who just featured in Steven Soderbergh’s “Contagion,” will next star in Cameron Crowe’s “We Bought A Zoo,” and was just announced as a co-star in HBO’s biopic of Liberace.
Looks like Liberace production will start next year! Sure seems like an awesome story! From Hollywood Reporter:
Michael Douglas and Matt Damon have been tapped to star in HBO Films’ Liberace biopic.
Behind the Candelabrawill star Douglas as Liberace in the project that takes a behind-the-scenes look at the relationship between the legendary entertainer and Scott Thorson, his younger, live-in lover (Damon).
The project will be executive produced by Jerry Weintraub (Ocean’s Eleven) and produced by Gregory Jacobs (The Informant!) and Susan Ekins (The Karate Kid series), with Steven Soderbergh (Traffic) directing the script by Richard LaGravenese (Water for Elephants).
“This is a story that’s going to surprise a lot of people,” HBO Films president Len Amato said Tuesday in announcing the casting. “It’s funny, heartbreaking and always fascinating, and we are delighted that Jerry and Steven brought the film to HBO. With Steven at the helm, directing such accomplished actors as Michael Douglas and Matt Damon, this is a dream project for us.”
Production will begin next summer in Los Angeles, Las Vegas and Palm Springs.
For Weintraub, the project marks a reunion with the premium cable network that aired his biopic, His Way this year.
“I’ve wanted to make a film about Liberace for a very long time, and after the amazing experience I had with HBO on His Way, I knew that they were absolutely the right place for this movie,” he said. “I am thrilled that we have the incomparable Michael Douglas to inhabit the role of Liberace, as well as the exceptional Matt Damon to play the pivotal part of Scott Thorson. Putting these two fine actors in the creative hands of Steven Soderberg — it doesn’t get better than that.”
Soderbergh, meanwhile, noted HBO’s “fearless approach” to original programming in bringing the project to the pay cabler.
“From the inception of this project, we’ve had two priorities: getting it right creatively, and getting as many people as possible to see it,” he said.
For Weintraub, the project marks the latest in a string of small-screen work. CBS earlier this month picked up The Producer, a period drama project. set in the world of the evening news.
I’m a bad fan, I totally missed posting on the Saturday due to being busy with work.
Huffington Post has a nice Slide Show and article. Go to their website to view the slideshow
Although Matt Damon doesn’t look a day over kick-a**-action-star, Damon turns the big 4-1 today. But just like the heartthrob bad guy chasers before him, Damon won’t let his growing collection of birthdays slow him down. Check out these photos of Damon from Snakkle before he knew how to throw a mean right hook (“The Bourne Identity”) or have his way with a rugby ball (“Invictus”).
Ever since his high school days, Damon had the makings of a full on Hollywood heatthrob.
No one can deny the awesomeness that is Matt Damon.
We fell in love with him in “Good Will Hunting;” he kicked some serious a$$ in the Bourne movies; and he’s made a name for himself as a humanitarian. In fact, he’s been seriously involved with campaigns dealing with improving access to clean water and fighting the spread of AIDS.
Now, he’s taking on the education system.
“Save Our Schools” aims to rid the system of “The worst aspects of No Child Left Behind.”
Matt will be at the “Save Our Schools” march July 30 in Washington, D.C., so be sure to keep an eye out for him!
Making an exception on post candids that are not from movie sets, this one is from Matt newly shaved head for Elysium. And it just teases my curiosity about the movie.
Elysium is set to be released on March 2013.
The Bourne Identity star, who usually sports a full head of hair, displayed a freshly shaved head as he made a trip to the local post office in the Canadian city during a break from filming Elysium.
The 40-year-old actor looked casual in a khaki green T-shirt and jeans which he paired with simple black and white trainers while showing off his new bald look.
Matt appeared completely relaxed and at ease during his outing, a luxury he claims isn’t afforded to all celebrities.
‘I have friends who are like prisoners. Brad Pitt and Angelina Jolie, for instance,’ he told German television TELE 5 earlier this week.
‘They can’t just go someplace. If they go for a walk, it turns into an international incident.’
However his life has worked out slightly differently, despite his comparable super-stardom.
‘I’m really lucky, because I have the best of both worlds. I do the work that I love and need, but don’t need paramilitary troops to protect me when I walk out my front door.’
And he believes that his focus on things other than work have helped him retain a more private existence.
‘Ever since I found my wife and we had children, my whole life revolves around that. It gave my life a dramatic change in direction,’ he says.
‘I’m not as crazy as most of the other stars. I don’t really know why, probably because I married a woman who isn’t an actress. And we live in New York,’ he said.
‘As long as we don’t show up in typical tourist spots, we can walk the streets without being noticed. New Yorkers are very cool, they don’t flip out if they see me.’
Matt and his wife Luciana married in 2005 and have four daughters.
More articles about this:
Matt Damon considers himself a “lucky devil” compared to Brad Pitt and Angelina Jolie.
Matt is happily married to Luciana Bozán Barroso, and the couple raise four kids together; Isabella, five, two-year-old Gia, Stella, nine months, and Alexia, Luciana’s daughter from a previous relationship.
The Hollywood hunk is happy with his work/private life balance, and argues power couples such as Brad and Angelina face a much tougher ride. Matt met Argentine-born Luciana when she was working as a bartender, and cites her non-showbiz status as the reason they have more privacy. He also thinks his decision to shun living in Hollywood lends him greater space.
“Brad and Angie are like prisoners. When they go for a walk it is always a huge international sensation. I am lucky devil. I am doing work I love but I don’t need paramilitary troops who care for me the minute I’m leaving home,” he laughed to German TV station Tele 5.
“I am not as crazy as most of the other celebs. Probably because I married a woman who isn’t an actress. And New Yorkers are really cool they don’t go nuts when they see me. My kids don’t latch on to the whole celeb hustle and bustle.”
As a great advocate of privacy, Matt isn’t keen on social-networking sites where members give out details of their day-to-day life either. The heartthrob is bemused by the way youngsters post such risqué videos on sites such as Facebook, and thinks in the future people will become less inclined to do so.
“We haven’t quite realised what that media could do to us. And that’s why we make mistakes like sending naked pictures of ourselves. The next generation will be more careful and say, ‘Maybe we shouldn’t tape ourselves having sex. That could look strange,’” mused Matt.