New Project for Matt and Ben!
Ben Affleck and Matt Damon are setting their sights on cable.
The duo, via their Pearl Street Films, are developing drama Incorporated for Syfy, The Hollywood Reporter has learned.
Incorporated is described as a futuristic espionage thriller set in a world where corporations have seemingly unlimited power. The drama will be the story of one man’s efforts to beat the system.
Brothers David and Alex Pastor (Selfless, The Last Days) will pen the pilot, which hails from CBS Television Studios and Pearl Street. Ted Humphrey (The Good Wife) will serve as showrunner and executive producer, via his overall deal with the studio. Damon, Affleck and Pearl Street president Jennifer Todd are also attached to executive produce. Pearl Street creative executive Margaret Chernin is on board as associate producer.
For Pearl Street, Incorporated marks the shingle’s first scripted cable foray and second scripted overall. Last year, Fox handed out a pilot order to drama The Middle Man, with Affleck set to direct. The project was rolled to accommodate Affleck’s film commitment to Batman v. Superman. The company is currently producing HBO’s revival of Project Greenlight and is in preproduction on feature Live by Night, which was written and directed by leading man Affleck.
For Syfy, Incorporated arrives as the NBCUniversal-owned cable network is focusing more on science fiction fare a la Battlestar Galactica. The cabler has a roster of new dramas including Dominion, Ascension, 12 Monkeys, Olympus, Z Nation, The Expanse and Hunters joining returning series Defiance, Haven and Helix, among others.
Affleck, who currently stars in Gone Girl — the country’s No. 1 movie for two weeks in a row — is repped by WME and Ziffren Brittenham. Damon is also with WME and Ziffren Brittenham. The Pastor brothers are with WME and Kaplan/Perrone. Humphrey is with WME, Industry Entertainment and Hansen Jacobson.
New Bourne movie? Yes, please! Via Deadline:
DEADLINE EXCLUSIVE: Jason Bourne is coming back. Universal Pictures has begun making deals with Matt Damon and director Paul Greengrass to reunite for their third film in The Bourne Identity series, sources tell me. This is an absolute stunner — and Universal would not comment nor would the reps — because Greengrass told Deadline as recently as last year that once Bourne regained his memory, there was no place else for the character to go creatively. His search formed the spine for the trilogy Damon starred in.
Well, they’ve figured it out. I’m told that the studio is so bullish on this that the intention is to make the reteam the next Bourne film to go into production to make the July 16, 2016, release slot that Universal had previously assigned to an untitled Bourne film. That means it would step in front of the spinoff sequel that is to reprise Jeremy Renner and be directed by Fast & Furious architect Justin Lin. That film, which began with the Tony Gilroy-directed The Bourne Legacy, remains in development. I thought its premise— Renner plays one of several genetically altered assassins, all of whom are targeted for death — was smart and satisfying on its own. Universal intends to continue that series and to broaden its franchise base, much the way that Marvel cranks out superhero films. The Bourne Legacy was a good start to a new franchise, but Jason Bourne is a hard act to follow. Now, franchise-hungry Universal has both of them. Lin can probably use the time, as he signed on to direct the second season of the HBO series True Detective.
I saw The Equalizer as it premiered in Toronto, and it reminded me of The Bourne Identity, in that both are sophisticated adult thriller franchises where the protagonists are capable of high-action exploits but aren’t running around in spandex. Even though I could not get corroboration, I am confident enough to say that, probably very soon, these deals will all be done and that fans will be pretty happy to have Bourne back.
Both Damon and Greengrass are perpetually busy. Damon next stars for Ridley Scott in The Martian, and Greengrass has several projects percolating, most recently circling at Fox The Ballad Of Richard Jewell, the story of the security guard at the Atlanta Olympics who uncovered a suspicious backpack and cleared the crowd away from a park before it exploded, only to be vilified as a possible terrorist in the advent of the 24-hour news cycle. Leonardo DiCaprio and Jonah Hill are going to star in that one, and Captain Phillips scribe Billy Ray has penned the script. Damon’s repped by WME, Greengrass by CAA.
The last time Matt Damon and director Kenneth Lonergan worked together, the result was the well-regarded Margaret, which got stuck in release limbo for years as producers and financiers argued over its future. They’ll be hoping for an easier time of it on their next collaboration, Manchester-By-The-Sea.
Lonergan is working from a script he wrote that finds Damon as a plumber living in Boston who returns home to the titular town when he learns his brother has died. He’s landed with the responsibility of caring for his 16-year-old nephew, but a dark family tragedy from the past comes back to haunt him.
With Ender’s Game backers OddLot Entertainment providing the cash to make the film, Lonergan has worked quickly on this one, ramping up pre-production ready to kick off shooting in a month or so. Damon will be fitting the role into his schedule before he heads off to work on Ridley Scott’s sci-fi drama thriller The Martian, which itself is now recruiting the rest of the cast. Last on screen in The Monuments Men, Damon will next show up as part of Christopher Nolan’s Interstellar, which lands on November 7.
It’s become almost a yearly occurrence in the entertainment world to report on the possibility of Matt Damon returning to the Bourne franchise. To be truthful, who can really blame people for looking forward to the hint of another adventure with Jason Bourne, as the original trilogy spanned throughout almost a decade long reign of consistently intelligent espionage and fast-paced adrenaline. So it will come as no surprise to anyone that Matt Damon has gone on record yet again to say that he is open to the return of Jason Bourne, so long as Paul Greengrass comes back with him.
CNBC recently had Matt Damon on their CNBC Meets program, and as you’ll see in the interview above with host Tania Bryer, the keys to bringing him back to the table are the right story and Paul Greengrass. Mr. Damon threw in the following statement, so as to hedge his bets:
[quote]”It felt like such a good way to end it the last time, but having said that I love that character… and I’d love to see what happened to him.” [/quote]
While Matt Damon has always said that the story of the trilogy wrapped itself up with the end of Jason Bourne’s search for who he really was, it doesn’t seem like he’d have a problem getting into gear again to find out what happens to the man who knows everything he’s ever wanted. Come to think of it, any idea that brought him and Paul Greengrass to the table would be infinitely better than a continuation of the usually stellar Tony Gilroy’s The Bourne Legacy.
Between the film’s attempt at tying into The Bourne Ultimatum and adding yet another clandestine program gone horribly wrong, the film proved that if the Bourne series is going to even have a shot at a legacy, it’s best we just forget that the first attempt to continue it even existed. No offense against Jeremy Renner, but the Bourne franchise is, and should always will be a Matt Damon affair. If Paul Greengrass is required, then Universal would smart to trying and re-acquire Mr. Greengrass’ Memphis project as a gesture of good faith. While fast tracking its production and funding it in, the studio could exchange that favor for the next Bourne picture.
Of course, the best strategy would be for Universal to offer a “one for us, one for you” package that ensures a trilogy out of both Damon and Greengrass, as well as three other side projects that are also relevant to their interests. As long as they can come up with the right story, we could be set for another thrilling decade of Jason Bourne, and (if they can figure out how to integrate him properly) Aaron Cross.
“Shield” creator Shawn Ryan is one of the writers that will be tackling the adaptation of the Ed Brubaker comic.
Sleeper, Warner Bros.’ long in-development adaptation of the Ed Brubaker DC Comics/Wildstorm comic, is waking up once more.
Originally being developed as a vehicle for Tom Cruise with Sam Raimi and Josh Donen producing, Sleeper will now be produced by Ben Affleck, Matt Damon and Jennifer Todd.
Additionally, Shawn Ryan, creator of the acclaimed cop drama The Shield, and David Wiener, a writer and playwright whose credits include AMC’s gritty cop show The Killing, are attached to write the screenplay.
Sleeper, which ran from 2003-05 and had art by Sean Phillips, centers on an operative whose fusion with an alien artifact makes him impervious to pain and allows him to pass it on to others through skin contact. He is placed undercover in a villainous organization by an intelligence agency and falls for a member of the group, named Miss Misery.
The comic featured characters from WildC.A.T.S. and Gen 13.
After a heated bidding war, one of the highest-profile comedy packages this season Tom Papa CBS Comedy Pilot – a half-hour starring comedian Tom Papa that boasts Ben Affleck and Matt Damon as executive producers and Cathy Yuspa and Josh Goldsmith as co-writers — has landed at CBS with a put pilot commitment. 20th Century Fox TV is producing.
Based on the stand-up of Papa and the experiences of Damon, the multi-camera comedy, titled More Time With Family, centers on a guy (Papa) who changes his career and gives up a life on the road to spend more time at home with his family — but when he gets there, he realizes no one asked him to do that. The project originated with Papa and Damon who had worked together on two movies, The Informant and Behind The Candelabra. They teamed with Damon’s childhood friend and frequent collaborator Affleck, whose company, Pearl Street Films, is making a big push in television. The three met with a number of writers, going with Yuspa and Goldsmith and setting up the project at 20th TV where the scribes are under an overall deal. Damon and Affleck will executive produce through Pearl Street along with Papa, Yuspa, Goldsmith and 3 Arts’ Dave Becky and Josh Lieberman. This marks Pearl Street’s second TV sale and second big commitment — the company also has crime drama The Middle Man at Fox, which has a pilot order with Affleck directing and Glenn Gordon Caron writing.
Affleck and Damon were previously partnered in LivePlanet, which produced several TV shows in the early 2000s, including drama Push, Nevada and docu series Project Greenlight. In addition to his successful stand-up career, Papa, repped by ICM Partners, 3 Arts and Del, Shaw, Moonves, previously co-created and toplined the 2004 NBC comedy series Come To Papa. Last season, The King Of Queens alums Yuspa and Goldsmith, repped by ICM Partners, wrote and executive produced the NBC comedy pilot The Gates. Oscar winners Affleck and Damon are with WME.
The film will hit theaters in early 2014.
George Clooney’s The Monuments Men has been pushed to the first quarter of 2014, The Hollywood Reporter confirms.
The World War II drama from Sony Pictures was slated to open in Dec. 18, but will instead hit theaters early next year. The Los Angeles Times first reported the news.
The film centers on a group of art historians and museum curators charged with rescuing art treasures taken by the Nazis.
Matt Damon and his fracking drama Promised Land received separate honors at Saturday’s Environmental Media Awards, held on the Warner Bros. lot.
The Environmental Media Association event honored Promised Land in the feature film category, while Damon received the EMA Ongoing Commitment Award for his environmental work. Damon is a co-founder of Water.org and has promoted access to safe water and sanitation around the world.
The Environmental Media Association was founded in 1989 by Cindy and Alan Horn and Lyn and Norman Lear. The non-profit organization seeks to use the power of celebrity and the media to promote sustainable lifestyles. Visit the origination online at www.ema-online.org and www.facebook.com/EMAOnline.
Behind the Candelabra has gotten great reviews and 2.4M viewers on its HBO premiere, marking the most watched HBO movie premiere since 2004. Here are articles, it may contain spoilers if you haven’t seen the movie yet:
Behind the Candelabra has also got a nomination for Best Movie or Mini-Series for this year’s Critics Choice TV Awards, with both Matt Damon and Michael Douglas getting a nomination for Best Actor.
The Critics’ Choice Television Awards will be held June 10.
Matt Damon is set to appear on Jimmy Kimmel on Jimmy Kimmel Live on Thursday, January 24th.
This will be his first “Official” appearance on the show. As you probably remember, Matt usually just gets bumped off the show. Will he finally be actually interviewed?
Set your DVRs: Matt Damon will finally submit to an interview on Jimmy Kimmel Live on Thursday, Jan. 24. And “may God help Damon if he dares show his stupid face,” Kimmel said in a statement.
For nearly as long as he’s hosted Jimmy Kimmel Live, the comedian has had the same show-ending tradition: Apologizing and saying that he’s been forced to bump his last guest of the night, Matt Damon. In 2006, Kimmel finally welcomed Damon onto the show for the first time — only to inform his guest as soon as he sat down that their time was up.
Damon got his revenge in 2008 by co-starring with Kimmel’s then-girlfriend Sarah Silverman in “I’m F—ing Matt Damon,” a viral video that inspired an equally popular sequel, “I’m F—ing Ben Affleck.” In the years since, Damon has done cameo appearances in several pre-taped Live comedy bits, including this extended sketch from 2010′s post-Oscars episode — but he’s never sat on Jimmy’s couch for a regular interview.
This week, Jimmy Kimmel Live moved to an earlier time slot, where it competes directly against Late Show with David Letterman and The Tonight Show with Jay Leno. The Damon interview could help the show regain the ratings victory it claimed on Tuesday and lost on Wednesday — even (and especially) if the whole thing ends up being an elaborate prank.