Last week Matt and Luciana attended the opening of “Spider-Man Turn off the Dark” on Broadway, here are some pictures:
Hey guys, I made some caps from this movie, which I can say is my probably my least favorite Matt movie. Oh well 😛
The movie will be released on DVD/BluRay next week, on June 21st, you can pre-order your copy on Amazon. I’ll have screencaps ready next week 😀
Do: Kill off a main character
The Bourne Supremacy begins with a gutsy twist: The surprise assassination of Franka Potente’s Marie, who gave the first film much of its emotional resonance. The gamble paid off: Supremacy and Ultimatum are both supercharged by the title character’s quest for vengeance.
See Also: Scream II, The Dark Knight, and The Godfather Part 2. Harrison Ford always felt that Han Solo should’ve died in Return of the Jedi, which in all fairness would have been totally awesome.
The Bourne movies are one of the few trilogies that gets better as it goes on.
Matt attended those 2 benefit events the past days:
Some events from this year, catching up on stuff I hadn’t added yet.
“My family is so grateful for the care you’ve given us,” the Adjustment Bureau star said at a fundraiser last night for Massachusetts General Hospital’s Cancer Care Center, where his father, Kent, has been undergoing treatment for multiple myeloma, a cancer of the blood.
“It’s deeply humbling to see how many people here are committing their lives to helping others,” Matt said. “We’ve lost some close personal friends to cancer in recent years, but I never thought it would happen to my dad, the marathon runner…It sucked.”
Happily, Kent Damon is currently in remission—and, apparently, a great mood.
“We try not to take this celebrity deal too seriously,” he joked, referring to his A-lister son. He told the crowd a story about opening up the paper to read about Matt’s Academy Award nominations for Good Will Hunting in 1997, and “there was a picture of Robert Duvall, Peter Fonda, and Dustin Hoffman—then there was a picture of my 27-year-old son. He didn’t belong there with all these seasoned actors!”
Getting serious, however, Kent also said that his Boston-bred boy was “all you could ever for ask for in a son. It’s been a wonderful ride being his dad.”
Matt actually succeeded his pops onstage, wondering “How do you follow that? My dad’s biggest fear is public speaking, and I’m like, ‘You’ve got cancer man!’
“When people ask me, “What’s so great about Boston?’ I say, ‘Oh, the people, the sports teams—actually, I’d start with the sports teams—[and] the hospitals,” the actor continued, according to the Boston Herald.
“But if you had ever heard of Mass General, you were raised to believe it was the best hospital in the world. You were raised to believe that the Red Sox would break your heart and that MGH was the best hospital in the world.”
I wish him all the best and good luck on fighting this horrible disease.
DVDs: How Good Is Matt Damon? Damn Good
TRUE GRIT ($39.99 BluRay or $29.99 regular DVD; Paramount) — The Coen Brothers movie is solid fun that’s better than the original and more true to the terrific novel by Charles Portis. Hailee Steinfeld gives a funny but very particular performance that could be the sign of a singular talent or a one-off stunt. Josh Brolin is hissable as the villain. Jeff Bridges shamelessly chews the scenery in the hammy role made famous by John Wayne. But I want to talk about Matt Damon.
He gives the best performance of the film as the over-confident Texas Ranger LaBoeuf. The character is nominally comic relief, but Damon makes him the heart of the movie. The little girl is preternaturally calm and mature. Bounty hunter Cogburn is a caricature of the hard-drinking frontierman. Only LaBoeuf is a recognizable human being, a man who is a tad vain but at heart a decent person. Damon gets all the humor out of this easily offended young man but he also makes you care about LaBoeuf and consequently about the film as a whole. If anyone might die in this enterprise you fear it would be LaBoeuf, so all the suspense and drama centers on whether he’ll make it home alive or at least redeem himself as a brave and valued companion. With his accustomed ease, Damon steals the show by playing a supporting role that other movie stars might not deign to accept.
It’s just the latest achievement by one of the best actors working today. Damon’s looks always promise the square-jawed decency of a 1950s leading man. But his talent often lies in subverting our expectations. He broke through as the math whiz in Good Will Hunting of course. Then came Saving Private Ryan, with Damon as every mother’s son caught in the dangers of war. His career seemed set as a traditional hero. But Damon followed that immediately with one of his best and most underrated turns. He became almost invisible in The Talented Mr. Ripley, a mousy killer who subsumes the identity of the people he destroys. Look at the way Damon maintains the anonymous demeanor of a servant in the opening scenes and you’ll see a movie star choosing to become an actor.
He showed he had charisma to burn in the Ocean’s Eleven movies. But it’s the Bourne trilogy that has truly vaulted Damon to the top. If comedies get little respect, even they receive more critical attention than the performances in action films. Damon’s work in the Bourne movies constitutes one of the best action performances on film, equal to Harrison Ford’s work in the early Indiana Jones movies and easily one of the most complex achievements in the genre. Damon delivers the confusion and apprehension of a man who finds a terrified release in the violence he is so clearly capable of achieving, a violence that both thrills and disturbs him. With a minimum of dialogue and often through his face and body movements alone, Damon creates a man audiences live vicariously through but also pity in his desperate desire to know exactly who he is. Best of all, Damon showed the rare restraint of walking away from the franchise before it became repetitive and dumb.
The smart choices continued: the CIA agent in The Good Shepherd, the gangster turned cop in The Departed (proving again how good Damon is at internal conflict) and the hilariously inept stool pigeon in The Informant!. That’s a very funny movie but Damon’s gifts as a comic haven’t been fully exploited yet (despite his amusing work on 30 Rock), any more than his ability to be a romantic lead. Presumably that just doesn’t interest him since he’s barely assayed such a common, almost inevitable role. Politics interests him more, from the complex Syriana to The Green Zone to his work as the narrator of the best documentary of 2010, Inside Job.
Perhaps the most exciting aspect of Damon’s talent is that he’s only seemed to scratch the surface of what he’s capable of doing. The older he gets, the more interesting and varied the roles he should be able to tackle. Damon’s never been trapped by leading man status but growing more mature will only play into his natural instinct for the interesting and off-beat. Unquestionably, the best is yet to come.
The keen card player was spotted meeting Harvey Weinstein and Ocean’s 13 screenwriters Brian Koppelman and David Levien at New York restaurant Cipriani Downtown to begin work on the script to Rounders 2, the New York Post reports.
Edward Norton, who appeared in the first movie, will reportedly reprise his role in the sequel.
In Rounders Matt played a law student who was lured back into gambling by his old friend, an ex-convict, played by Ed.
The 1998 film flopped at the box office but became a cult hit on DVD
Damon to start work on what is believed to be Father Daughter Time early next year.
Matt Damon is moving ahead with his directorial debut, and has offered the name of one of his stars.
Speaking to Vulture, he said: “I’ve got a few things that I really want to direct, and one I’m actually going to start at the first quarter of next year.”
It’s thought to be Father Daughter Time: A Tale of Armed Robbery and Eskimo Kisses, a script from Matthew Aldrich picked up by Warner Bros. as a starring vehicle for Damon. The plotline has a “man who goes on the lam with his daughter, his accomplice on a three-state crime spree.” Aldrich described it as “a smallish, very personal, dark but playful road movie about a father and daughter.”
It’s been rumoured that Damon will direct, as he had been planning to get behind the camera for The Trade, a true wife-swapping baseball movie that was set to star him and best mate Ben Affleck. That project is now on hold my legal reasons.
Damon wouldn’t confirm if Father Daughter Time is in fact the film he will direct, but did mention that John Krasinski would be in it.
The star of the US version of The Office is married to Damon’s Adjustment Bureau co-star Emily Blunt, and has popped up on the big screen in Something Borrowed, It’s Complicated, License To Wed and Away We Go. He’ll next be seen in The Muppets and Everybody Loves Whales. Krasinski himself made his directorial debut in 2009 with Brief Interviews with Hideous Men.
Meanwhile, Damon is having a busy 2011 in his day job as actor, starring in Neill Blompkamp’s Elysium, Steven Soderbergh’s Liberace and Contagion, and Cameron Crowe’s We Bought a Zoo.