The Summer issue of Total Film Magazine features an article on The Martian. Here are scans:
- Magazine & Scans > Total Film – Summer 2015
The cast of the upcoming action flick The Great Wall is shaping up rather nicely, and although it sounds like a historical drama, the film is anything but. Matt Damon has joined the cast alongside Willem Dafoe, Pedro Pascal and a roster of notable Chinese stars in the film from acclaimed director Zhang Yimou and Legendary Pictures, the folks who brought you Godzilla.
According to Variety, Damon is the latest to join the cast of the upcoming film, which also stars Willem Dafoe and Game of Thrones favorite Pedro Pascal. The Great Wall is being helmed by Zhang Yimou, known for his previous films The House of Flying Daggers and The Flowers of War. The trio of English-speaking stars are joined by Chinese actors Andy Lau, Jing Tian, Zhang Hanyu, Eddie Peng, Lu Han, Lin Gengxin, Zheng Kai, Chen Xuedong, Huang Xuan and Wang Junkai.
Henry Cavill and Abraham Lincoln: Vampire Hunter star Benjamin Walker were previously in talks to join the film back when The Last Samurai director Ed Zwick was attached.
The film is set in 15th century China and centers on a group of soldiers who stumble upon the famous Great Wall during its construction. It’s not long before the soldiers learn that the wall isn’t just being built to protect the Chinese from invading Mongol warriors, but to protect them from a far more dangerous threat: ancient monsters.
Max Brooks (World War Z) wrote the script for the upcoming film, which is being touted as the biggest production to ever shoot entirely in China. The Great Wall will hit theaters sometime in 2016.
Great segment from Jimmy Kimmel Live where Matt plays a chair and a lamp.
Brand new commercial featuring Mindy Kaling where she tries to kiss Matt.
After years of being treated like she was invisible it occurred to Mindy she might actually BE invisible. Watch it:
Patriots Quarterback Tom Brady and Coach Bill Belichick have spent a lot of time denying they had anything to do with Deflate-Gate. We don’t know if these people are trying to protect Tom Brady, but already more than half a dozen people have come forward to claim responsibility:
Interesting article from Mental Floss:
On its release in 1997, the film Good Will Hunting proved to be a sizeable hit. It also garnered several Oscar nominations, with the late Robin Williams picking up a Best Supporting Actor gong.
Also taking home Oscar gold for the movie were then-debutant screenwriters Ben Affleck and Matt Damon. Their script earned them an Academy Award apiece, but whilst they’d had a lot of interest in their work, it was proving tricky to get someone to properly commit.
Not that there was a lack of interest. Damon and Affleck had several studios involved, and several were making offers to the pair. Yet they opted to go with Miramax, then run – with his brother – by producer Harvey Weinstein.
So why did they choose him over a big studio? Weinstein appeared on The Graham Norton Show in the UK last week, and explained all.
“Everyone in Hollywood wanted Matt Damon and Ben Affleck and the film”, he recalled to Norton. “In the meeting with them, I said ‘I only have one really big note on the script. About page 60, the two leads, both straight men, have a sex scene. What the hell is that?'”
And that was a good question.
For there was method to Affleck and Damon’s madness. “That’s the scene”, they explained to Weinstein, “we wrote to see if guys like you read the script, because every studio executive we went to hadn’t read it. You’re the only guy who brought it up, so you get the movie”.
Good Will Hunting would go on to gross over $200m worldwide, reportedly costing just $10m to make.
Downsizing gets Reese Witherspoon as co-star. Via Variety
Reese Witherspoon has joined Matt Damon in the social satire “Downsizing,” to be directed by Alexander Payne.
Payne wrote the script with Jim Taylor, his partner in Fox-based Ad Hominem Enterprises. Damon joined the project in November.
The story centers on a man in the near future who realizes that he would have a better life if he were to shrink himself at a time when humans are able to do so to battle over-consumption and the depletion of the Earth’s natural resources.
Payne and Taylor won an Oscar for adapted screenplay for “Sideways.” Payne most recently directed “Nebraska.” Payne and Taylor also wrote the Oscar-nominated script for 1999’s “Election,” which starred Witherspoon.
Witherspoon has been nominated for a SAG award and a Golden Globe for “Wild,” which she also produced. She is repped by CAA and Rick Yorn at LBI.
Looks like Matt had to drop out of Manchester-by-the-sea due to schedulling conflicts. Via Collider:
Matt Damon’s busy schedule has forced him to drop out of reteaming with Margaret writer/director Kenneth Lonergan on the drama Manchester-by-the-Sea, but a friendly face will be filling in. Casey Affleck revealed to the Boston Globe (via The Playlist) that he’ll be replacing Damon as the lead in Lonergan’s new film, which revolves around a Boston plumber who is forced to look after his 16-year-old nephew after his brother passes away, but is hindered by a secret tragedy in his past. The You Can Count on Me writer/director Lonergan is an incredibly talented filmmaker, so his next effort is anticipated by many (myself included). No word on when production might begin.
Damon is currently leading Ridley Scott’s sci-fi drama The Martian and is poised to reteam with Paul Greengrass on another Bourne film for release in 2016, so fitting Manchester-by-the-Sea into his schedule ultimately proved impossible.
Universal has also announced that the “Untitled Next Bourne Chapter” will be released on July 29, 2016. Via Collider:
No offense to Aaron Cross and his chems, but if we have to have another Bourne movie, I’m glad it’s with Matt Damon and director Paul Greengrass. After years of Damon refusing to do a sequel without Greengrass to the point where Universal threw up their hands and decided to reboot the franchise, the duo is returning. Furthermore, they’re going to be writing the script along with Christopher Rouse, who doesn’t have a writing credit but has edited all of Greengrass’ movies since The Bourne Ultimatum, which is perfect since Greengrass is known for finding the movie in the editing room anyway.
It’s worth noting that this will be the first Bourne movie without the involvement of Tony Gilroy, who is credited with the screenplay for all four Bourne movies, and he also directed The Bourne Legacy. However, in 2011, Damon slammed Gilroy’s Bourne Ultimatum script, telling GQ:
“It’s really the studio’s fault for putting themselves in that position,” Damon tells GQ. “I don’t blame Tony for taking a boatload of money and handing in what he handed in. It’s just that it was unreadable. This is a career-ender. I mean, I could put this thing up on eBay and it would be game over for that dude. It’s terrible. It’s really embarrassing. He was having a go, basically, and he took his money and left.”
Damon quickly apologized, although he didn’t retract his statement regarding the quality of the script. But again, script isn’t so much an afterthought in a Greengrass movie as much as it’s a broad outline, and I’m a little surprised it’s taken this long to officially credit his editor as a co-writer.
As for where this “next Bourne chapter” will take the character, I’m curious but also cautious. The Bourne Ultimatum is such a terrific conclusion to the character’s arc, and it was also a very sharp piece of political commentary regarding the War on Terror. If Greengrass still wants to make a political statement, there’s no shortage of material—spying on Americans; secret torture programs; drone strikes—and it will be interesting to see where a Bourne story fits in at the end of the Obama Administration as opposed to Ultimatum, which came near the end of the Bush Administration.
Pictures from the HBO’s Project Greenlight Winners Announcement from the weekend