In “Promised Land,” you get a chance to see Matt’s inherent likability. Some actors have that quality, some don’t. And that likability is necessary to play this kind of scam artist and still be as caring as you are for his trip.
His face is an open book from the first frame when he’s washing his face and he’s tormented and nervous about what’s to come. He handles it without pushing. And he ends the picure with a final speech before the town, telling them the entire truth and what’s he’s been involved with. It’s emotional and powerful without being pushed.
In some ways, Matt is like John Wayne, who had that inherent feeling of trust. Which you also get from Matt. There’s a direct truthfulness there that a lot of actors don’t have. They have to get tricky. Matt has this inherent shit detector. He’s a very good listener, but he also has the ability to handle lengthy dialogue, which is becoming a relatively lost art in film.
He produced this picture and wrote it, and from my own experience with doing dual roles, it never gets in the way for him. Matt has enough knowledge as a writer and producer to surround himself with the best people possible. He’s not threatened by talent. He enjoys it.
Promised Land opens on: December 28, 2012, on a limited release and wide release on January 4, 2013.
Here’s the trailer:
I’ve posted some new stills from Matt Damon’s upcoming movie “Promised Land”.
A salesman for a natural gas company experiences life-changing events after arriving in a small town, where his corporation wants to tap into the available resources.
In August, Focus Features surprised many Oscar prognosticators by setting “Promised Land” for release on Dec. 28. The decision could make the new drama a major awards player, if only because of its pedigree: Matt Damon and John Krasinski wrote the screenplay (from a story by Dave Eggers) and Gus Van Sant directs. The first film co-written by Damon and a fellow actor that Van Sant directed was “Good Will Hunting.” (The pair, along with Casey Affleck, also collaborated on “Gerry,” but you can forget about that one for now.)
For those still not convinced of “Promised Land’s” Oscar bona fides, Focus has released a new trailer for the film that manages to both highlight the human drama and timeliness of its story. Damon stars as a natural gas company salesman who tries to convince the denizens of a rural town to sell their farms for the purposes of fracking. Some agree, but not Krasinski, playing a well-meaning farmer, nor Hal Holbrook’s wizened town elder, a role that many are marking for an Oscar nomination.
Whether “Promised Land” makes a big push for Oscar is obviously to be determined, but the film — which combines elements of “Good Will Hunting,” “Michael Clayton” and “Erin Brockovich” — should certainly be an audience favorite, especially if this new trailer is any indication. Watch above, or head over to Apple to check out “Promised Land” in HD.
Matt’s new movie project is “Promised Land” could be hitting theaters this year! Here’s the article from IndieWire:
Could Gus Van Sant and Matt Damon be headed back to the Oscars? That could be the case if word on their latest collaboration, “Promised Land,” bears out.
The folks over at The Film Stage picked up on a recent feature article on the film in the Pittsburgh Post Gazette that dropped a handful of interesting nuggets about the upcoming movie, which was co-written by and co-stars John Krasinksi alongside a cast that includes Frances McDormand, Hal Hobrook, Rosemarie Dewitt, Scoot McNairy and Titus Welliver. Perhaps the biggest bit of info is that Krasinski reveals the movie could be in “a small number of theaters” by the end of the year. Van Sant had already put together an assembly cut during filming, and “is editing the movie and will huddle with his fellow producers and others at summer’s end and tweak the movie through the fall.” Putting those small clues together, our guess is that “Promised Land” will have some kind of awards consideration run, before a wider release in 2013. As for a festival appearance in the fall? We reckon it’s a possibility.
As for the film itself, it will find Damon playing Steve Butler, a corporate salesman who arrives in a rural town with his sales partner, Sue Thomason (McDormand). With the town having been hit hard by economic decline in recent years, the two outsiders see the local citizens as likely to accept their company’s offer, for drilling rights to their properties, as much-needed relief. What seems like an easy job for the duo becomes complicated by the objection of a respected schoolteacher (Holbrook) with support from a grassroots campaign led by another man (Krasinski) who counters Steve both personally and professionally. As you might guess from that logline, there is an environmental angle at play, and early on, there was one word around the interwebs that the movie was an “anti-fracking” screed (fracking is essentially the process by which water and chemicals are blasted to separate rock layers to extract gas and oil). But not so, says Krasinski.
“Fracking for us became a backdrop. The original script was about wind power,” he explains adding about the rumors, “The idea of fracking or natural gas was just a very apropos news story that was beginning to grow a year and a half ago. I just chose that as the background and, of course, that has grown into something quite wild in and of itself.”
So what will the film address thematically? “I don’t want to give too much away, but the situation people are in financially is very, very real. And what they’re protecting is a community and a lifestyle that they believe very, very strongly in,” he explains. “So, for some of the characters in the movie, it’s a choice to give up everything that they are and everything that they have come from, in order for a quick paycheck, which I think is in keeping with a lot of the different opportunities that are going on in the country today, whether it’s the derivative market or anything else.”
In short, the film is more about the values of America today and how they’ve shifted from our parents’ generation, something that Krasinski remembers his father recollecting. The “way he described his upbringing and the country and the community that he grew up in, and how everything was incredibly honorable and loyal and incredibly rather simple in the best way — going to work, having family, having friends, and taking care of what you needed to take care of, and there wasn’t really much else. And someone’s word was as valuable as anything else,” he shares.
Sounds like the kind of big, broad ideas that Oscar loves and with Van Sant at the helm, a script from Damon and Kraskinski and a pretty compelling cast, this one is inching up our list of anticipated movies for 2012. Hopefully we’ll know more soon, but this could be a dark horse for the end of the year.
Looks like the Matt Damon & John Krasinki film now has a title: Promised Land. Matt was initially set to direct it, but due to schedule conflicts, he’ll just star on it. Gus Van Sant (Good Will Hunting) is set to direct it. Here is the article from Deadline:
I’m told that Focus Features and Participant Media won a bidding battle for the untitled film that Gus Van Sant will direct with Matt Damon and John Krasinski starring, from the script those actors co-wrote. Focus and Participant are tying down the details. You’ll recall that Damon planned to make his directing debut on the film, but when his schedule made that impossible, he and producer Chris Moore brought it to their Good Will Hunting director Van Sant, who signed on. The film, which got a first draft from Dave Eggers when its title was Gold Mist, is a Capraesque tale in which Damon and Krasinski play rival corporate executives. Damon plays a sales executive who arrives in a small town only to have his whole life called into question. Moore, Damon and Krasinski will produce and production begins in April.
When Damon was directing, the film had been set up at Warner Bros through the production shingle that Damon has there with Ben Affleck. It’s a $15 million budget, and it seems better placed at Focus and Participant, which are teaming up for the first time.
Krasinski had the idea for a film that had resonance in the current climate of economic hardship caused by corporate greed. Krasinski paid Eggers out of his own pocket to write the first draft, then showed it to Damon and Moore while the latter were making The Adjustment Bureau, which starred Damon and Krasinski’s wife, Emily Blunt. Eggers was unavailable to do more work on the script, so Damon and Kraskinski rewrote it together.