Hey everyone! I’ve added screen captures from Promised Land. I made these so long ago and completely forgot to post! >.< Hope you enjoy!
Hey everyone! I’ve added screen captures from Promised Land. I made these so long ago and completely forgot to post! >.< Hope you enjoy!
Matt Damon is in Berlin attending the Berlinale International Film Festival to promoted Promised Land. Here are pictures, thanks to Kaci!
DEADLINE.com has an exclusive interview with Matt Damon:
Even before Focus Features made Promised Land a late Oscar entry, the film’s writer-stars Matt Damon and John Krasinski came under fire from the energy industry. Their film deals with “fracking,” which mixes chemicals, sand, water and drilling to loosen underground shale deposits to harvest natural energy. Damon and Fran McDormand play gas company reps using the lure of potential riches to convince struggling farmers to allow fracking on their lands, despite the risks for their crops and livestock. Krasinski plays a grassroots activist fighting the reps as the town prepares to vote. Promised Land reunites Damon with Gus Van Sant, who directed Good Will Hunting, which brought Oscars and fame to Boston neophyte scribes Damon and Ben Affleck. Damon and Krasinski are fun guys, the type who’d be a blast to invite over to watch football…as long as you aren’t a fan of the New York Giants and the two Super Bowls they won over the New England Patriots.
DEADLINE: Matt, you’ve said recently that the Bourne Legacy spinoff didn’t make it any easier for Jason Bourne to return. What has to happen for us to see your signature character back onscreen?
DAMON: Just a couple things, really. Paul Greengrass has to want to do it, and secondly and equally important, it comes down to Paul and I knowing what the hell we want to do. We just don’t have a story, and we haven’t had one. I quietly went to Jonah Nolan, because he and his brother Chris did such a brilliant job on Batman and that whole mythology. I just said, can you put your brain on this? I can’t figure it out. And he took a run at it and he couldn’t crack it either. Paul and I have been talking about it for years. And we can’t quite see what the movie would be. If we could get line of sight on that…
DEADLINE: We are force-fed so many unnecessary sequels, and here is a smart thriller that we actually want to see more of…
DAMON: Neither of us is against it. I would love to do another one. I love that character. To me, the reason to make that movie is because people want to see it. Paul and I have said that to each other. We don’t take for granted the fact that we’ve built an audience for Bourne, that’s a real privilege. But our part of that bargain is that the movie is good and belongs with the other three. Until we can deliver that, we just can’t make it.
DEADLINE: I watched last week as Brad Pitt’s bankability got questioned after Killing Them Softly tanked. How much do stars like you and Brad worry about taking on projects like that or Promised Land? You see them as specialty pictures made at a price, but if they fail, they go down in the loss column.
DAMON: Some actors don’t make these movies for exactly that reason. I couldn’t bear to have a career like that. These are exactly the kind of movies I like to go see. That might put me in the minority of the movie-going public, but that doesn’t mean I shouldn’t make them. In writing Promised Land, John and I talked a lot about films like Local Hero and The Verdict, a movie I absolutely love. I don’t know what that movie would do today, but that doesn’t mean I wouldn’t love to be in The Verdict.
DEADLINE: How helpful then are hits like Bourne?
DAMON: It’s always nice when one hits. It buys you relevance in the industry for a couple years and gives you cover to do these other things. But I would never just protect my beach head. That would be a career built out of fear and I won’t live that way. I want to challenge myself in different genres, playing different characters, and I don’t want to get pigeonholed and forced to do the same things. If Promised Land does not do a lot of business, it’s not going to end my career. But I am mindful like we all are that you don’t get to keep doing this if your movies don’t perform at the box office.
More Promised Land promotion for Matt!
Matt has been promoting Promised Land and here are pictures. Huge thanks to DeAdele from RyanRenoldsFan.net for the pictures:
Matt Damon and his wife Luciana attended the premiere of Promised Land in Los Angeles last night, here are pictures:
I’ve uploaded pictures from last night’s New York premiere of Promised Land. Enjoy!
Even as camera flashes lit up Broadway and taxis shot uptown, Matt Damon’s mind was focused on the small, rural towns that dot the American landscape.
His new film, Promised Land, debuted Tuesday night on the Upper West Side of Manhattan, providing a smooth, celebratory push for a project that has already had a stormy path to the big screen, thanks to the politics of environmentalism and corporate influence.
Damon, who co-wrote the Gus Van Sant-directed film with co-star John Krasinski, stars as a hotshot salesman for a natural gas procurement company; his job is to get residents in down-on-their-luck rural towns to sign away the rights to drill deep into the shale deposits located underneath their land. It’s a controversial practice called fracking, which many scientists believe pollutes local water supplies with various chemicals, killing farmland and endangering the citizenry. Damon’s character, Steve Butler, argues that the sometimes-rich contracts are a godsend for the fading heartland, but is frustrated when a small Pennsylvania community decides to vote on whether to allow Global’s drills into its town. He also is surprised when he learns of some inconvenient truths about the process.
The natural gas industry and conservative organizations have already attacked the film as a liberal polemic (Focus Features CEO James Schamus jokingly thanked the Heritage Foundation in his introduction Tuesday), and while the movie does explain the downside to fracking, Damon’s main concern was using the issue as a greater statement about who controls American democracy.
“One thing [natural gas companies] are very worried about is decisions being made at the local level,” Damon told The Hollywood Reporter at the premiere. “They really would rather have decisions being made at the state level. And their argument is that it’s far more efficient for them to understand what the regulations are for an entire state, rather than try to argue town-to-town about how to do things and have different zoning laws.
“Okay, that’s an understandable argument,” he continued, “but the flip side of it for these local communities is like, are we going to let somebody legislate from the other side of the state what can and can’t be done in our actual backyards? So you can see each side there and we’ll see what happens. But this definitely takes the view that we should be in charge of what happens in our communities.”
In that sense, the outcome of the deliberation — which takes twists and unexpected turns — is not the film’s main concern. “The democracy has been hijacked,” Damon explained, and “it’s not about how they vote, it’s about them taking the vote back.”
One of the many big-name New Yorkers in attendance was Robert F. Kennedy Jr., the lawyer and environmental activist, and he was far less circumspect on the issue of drilling for natural gas.
“I think that fracking ultimately is going to be a big mistake in our country,” he explained to THR. “It has a promise, which is that it will help make us energy independent, but we have much cheaper ways, more efficient ways, more patriotic ways and more wholesome and safe ways to do that. I think one of the things that the producers of this film wanted to show was the subtle ways that fracking doesn’t just poison water supplies but it poisons human communities, it poisons human relationships. It’s not a good thing for our country.”
One of the movie’s more subtle displays of corporate power comes when Steve and his co-worker Sue (Frances McDormand) shop for flannels and other regional-appropriate clothing at a local store. In order to convince the residents they have their best interests in mind, they must look like them — even if they’re just playing a part.
“Well we talked with landmen who do this, and a lot of them said ‘Look, the car you drive up in matters. You drive up in a foreign car in some of these places and they’re not really going to want to talk to you,’” the star recalled. “I talked to one guy who said he always puts on a John Deere hat before he goes out. It’s just something these guys do; they’re salesmen and they’re trying to make a sale and they want the people to identify with them as much as possible. So they have little tricks that they do.”
Whether or not the film changes any minds, it’s determined to at least open some eyes.
The new movie “Promised Land,” which Matt Damon co-wrote and co-produced, came in under budget and ahead of schedule because it had a script, the actor and Oscar-winning screenwriter said Tuesday night in New York. The talk was distributed on the Internet through Livestream.
Damon, who discussed the film along with co-star and co-producer John Krasinski of the NBC sitcom “The Office” and director Gus Van Sant, contrasted that to his last Jason Bourne movie, which he said they were writing day to day while they were shooting it. “It took years off our lives. It was so much pressure because you’re so aware of how much money … once you get on set, the money is just burning.”
He added, “(Director) Paul Greengrass and I would say like we’re in the wrong country. … It was 4 in the morning and we’re on a street and I’m going, Is there anything else we can shoot in Spain?”
Damon said watching “The Bourne Legacy,” the fourth movie in the series based on Robert Ludlum’s novels and the only one in\which he did not appear, was “very odd.” “It had a lot of same bells and whistles of the Bourne series but I didn’t know anything about it.”
That movie made it less likely that Damon will appear in another movie about the assassin with amnesia though “I don’t think it makes it impossible,” he said.
Damon said “Promised Land,” which opens in New York on Dec. 28 and nationwide Jan. 4, was made for slightly less than $18 million. It deals with the controversial procedure of capturing natural gas called fracking.
A nice article from ComingSoon.net
As we mentioned in our Gotham Awards coverage, this is the week when Focus Features is stepping up their game to get word out on Matt Damon and John Krasinski’s Promised Land, directed by Gus Van Sant. Earlier today, ComingSoon.net was one of a couple dozen journalists invited to a special luncheon at midtown New York’s prestigious Aquavit restaurant, specializing in Swedish cuisine and famous for kicking off the career of superstar chef Marcus Samuelsson. Damon, Krasinski and Van Sant were all on hand to field questions and talk about their movie in between bites.
Our positive review of the movie is still under embargo, but the film has Matt Damon playing the salesman for a natural gas company who comes to a small town along with a co-worker, played by Frances McDormand, with the intention of leasing land from the local farmers where they can extract natural gas. Along comes an activist named Dustin, played by Krasinski, who throws a monkey wrench in their progress at convincing the locals to sign contracts, and that’s where the film gets interesting.
Damon met Krasinski when he was working with his future wife Emily Blunt on The Adjustment Bureau in New York and they began working on the script together two years ago after author Dave Eggers helped Krasinski develop the story but then had to go off and write his own book.
The film was shot earlier this year outside of Pittsburgh in a small town much like the one in the film and during his time at our table, Krasinski talked to us about how his father’s own small town experiences inspired him to write the screenplay and how freaked out he got when his father visited the set and started pointing out places where they spent time in his youth.
Krasinski also told us an amazing story about his early years as an actor in New York and how he was almost ready to give up when he traveled to Los Angeles and two weeks later booked the pilot of “The Office.” The rest as they say is history.
All three mentioned how the films of Frank Capra and Elia Kazan were hugely influential on the writing process and the feel of the film, and they’re trying hard not to focus too much on the political side of the story and how “fracking” for natural gas has become a huge political and environmental issue in recent years.
When Matt Damon came over to our table, we spoke with him about the process of writing Promised Land with Krasinski and how that differed from writing Good Will Hunting with Ben Affleck over 15 years ago while they were both struggling actors. He told us how neither of them had any formal education on how to write a screenplay.
Damon complimented Krasinski on the speed at which his brain worked in terms of trying to figure out the mechanics of the screenplay and we heard some amazing stories from both of them about their co-stars, Frances McDormand and Scoot McNairy.
Krasinski was really impressed by what McDormand brought to her role, seemingly without even trying, although she did tell them at the very beginning of the project that she wouldn’t do any press. It’s a shame since it might be her best performance since the Coens’ Fargo, for which she won her Oscar.
McNairy’s audition so impressed the three of them that they changed one of the characters in order to give him a speech. The speech McNairy gives in the film was originally going to be performed by an older actor whose son went to war in Afghanistan, but after seeing his audition, they changed the role for McNairy. Apparently, McNairy did a reading on camera for Van Sant and after it was over, he started talking about his wife and her own struggles with the subject of the movie. Van Sant started rolling tape again to capture the emotion in McNairy’s story, and the part was changed for him. McNairy is having a bit of a moment, appearing not only in this movie but also Andrew Dominik’s Killing Them Softly, opening this weekend, and Ben Affleck’s Argo.
Krasinski also told us how he was crushed when right before last Christmas, Damon decided not to direct the film himself after they had all the pieces in places to go into production, but having to go right into pre-production in January would have kept Damon away from his family for too long.
Director Gus Van Sant filled in the rest of the story, telling us how he came on board in the project’s hour of need when Matt texted him asking if he would read the script and he sent it right over in PDF form before boarding a plane, and Van Sant decided to do it. Van Sant talked about some of his sound design and production decisions and how his style has changed from ten years ago when he made Elephant.
Since this was a fairly informal luncheon, we also talked about more esoteric New Yorker topics like the new Barclay Center in Brooklyn (thumbs up from Matt!), living on the Upper East Side (Krasinski and a couple other journalists, not us) and such. Even though both actors are from Boston, they both try to spend as much time in the city as possible.
Hopefully we’ll have more formal interviews with actual quotes from the trio sometime leading up to Promised Land’s release in New York and L.A. on December 28 and wide release on January 4, 2013.