The Candelabra was formely known as just “Liberace”, now has a new title and more actors:
Dan Aykroyd’s acting appearances have been pretty randomly spaced out lately, with his recent appearances on-camera including a couple of episodes of The Defenders, which put him opposite fellow former SNL star Jim Belushi. This latest bit of TV casting involving Aykroyd sounds like it might be a more serious role for the actor.
Variety is reporting that Aykroyd is set to join the upcoming HBO TV movie centered on musician Liberace, titled Behind the Candelabra. He joins previously cast Michael Douglas and Matt Damon. Douglas is set to play Liberace, while Damon is set to play his domestic partner, Scott Thorson. And now Aykroyd has been brought on board to play the role of Seymour Heller, “Liberace’s long-time manager who disapproved of his relationship with Thorson.”
I haven’t read Thorson’s memoir, My Life with Liberace, which is the basis for this film, but it sounds like Heller might not be the most likable character. Aykroyd is great at roles that portray him as the friendly guy (see Ray Stantz in Ghostbusters or Elwood Blues in The Blues Brothers), but he’s just as good, if not better, at characters that are meant to intentionally rub you the wrong way (see Roman Craig in The Great Outdoors, Zalinski in Tommy Boy and/or the governor in Evolution). But that’s all based on his comedic work. He’s done drama before (Pearl Harbor, Chaplin), but this sounds like it could be a heavier role. So it should be interesting to see what he does with the part. He’s certainly in good company, and another reason to anticipate this project.
Production is set to begin on Behind the Candelabra this summer.
John Sturges‘ 1960 Western The Magnificent Seven featured an iconic cast that included Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Brad Dexter, Horst Buchholz, and Eli Wallach, so it’s only appropriate that the new remake brewing at MGM seems to be collecting some top-level talent as well.
The project’s off to a good start on that front already with Tom Cruise attached to star, and if this new report is to be believed, Cruise is about to get some other high-profile company in the form of Matt Damon, Morgan Freeman, and Kevin Costner. However, considering the notoriously unreliable source, that’s a very big fat if.
The U.K. Sun (via Screen Crush) is reporting that Damon’s already boarded the project, while Costner and Freeman are only circling at this point. According to the paper, Damon is set for the role of Vin, the character played McQueen in the original, while Costner is up for the part of Britt, who was previously played by Coburn. Along with Cruise, who’s taking over Brynner’s character Chris, Damon and Costner will comprise part of the titular seven heroes. The group is hired to protect a poor village from a gang of bandits led by the villainous Calvera (Freeman).
The publication quotes a source who says, “MGM are throwing big money at the film and wanted some top names to fill the main parts… You can’t get much bigger than Cruise and Damon.” It’s certainly true that a studio looking for well-known stars couldn’t do better than this roster, but as the Sun‘s record is far from spotless when it comes to this kind of news, I’ll caution you again not to take it as gospel until we get more outside confirmation.
News of MGM’s remake hit last month, when Variety learned that Cruise was the driving force behind this film. While a do-over of such a beloved classic is bound to annoy some fans, it’s worth remembering that The Magnificent Seven is itself a remake, of Akira Kurosawa’s masterpiece The Seven Samurai.
Granted, Sturges made the story his own by moving the events from feudal Japan to the Wild West, whereas Cruise’s version will be a more straightforward adaptation that keeps the frontier setting. But if the project really is attracting such noteworthy actors, it’ll be interesting to see what they can do with the material. Though we may be waiting a while — the project doesn’t have a director or screenwriter yet, and with Cruise’s busy schedule it may be some time before he can even find a window to concentrate on this one.
We Bought a Zoo is set to come out on Blu-ray and DVD on April 3rd! You can pre-order your copy at Amazon.com
Looks like the Matt Damon & John Krasinki film now has a title: Promised Land. Matt was initially set to direct it, but due to schedule conflicts, he’ll just star on it. Gus Van Sant (Good Will Hunting) is set to direct it. Here is the article from Deadline:
I’m told that Focus Features and Participant Media won a bidding battle for the untitled film that Gus Van Sant will direct with Matt Damon and John Krasinski starring, from the script those actors co-wrote. Focus and Participant are tying down the details. You’ll recall that Damon planned to make his directing debut on the film, but when his schedule made that impossible, he and producer Chris Moore brought it to their Good Will Hunting director Van Sant, who signed on. The film, which got a first draft from Dave Eggers when its title was Gold Mist, is a Capraesque tale in which Damon and Krasinski play rival corporate executives. Damon plays a sales executive who arrives in a small town only to have his whole life called into question. Moore, Damon and Krasinski will produce and production begins in April.
When Damon was directing, the film had been set up at Warner Bros through the production shingle that Damon has there with Ben Affleck. It’s a $15 million budget, and it seems better placed at Focus and Participant, which are teaming up for the first time.
Krasinski had the idea for a film that had resonance in the current climate of economic hardship caused by corporate greed. Krasinski paid Eggers out of his own pocket to write the first draft, then showed it to Damon and Moore while the latter were making The Adjustment Bureau, which starred Damon and Krasinski’s wife, Emily Blunt. Eggers was unavailable to do more work on the script, so Damon and Kraskinski rewrote it together.
Good evening everyone! I’ve added some BluRay screen captures from Contagion to the gallery:
Great new interview where Matt talks about We Bought a Zoo, music, crying while watching movies and Tom Cruise, by The Washington Post:
I’m a little worried about “We Bought a Zoo.”
With all the hype about mega-marketed holiday films such as “The Girl With the Dragon Tattoo” and “Mission: Impossible — Ghost Protocol,” I fear moviegoers may forget all about Cameron Crowe and Matt Damon’s dramedy, or perhaps just dismiss it outright because the title is, admittedly, a little goofy.
They shouldn’t. For starters, Damon delivers one of the most authentic and likable star turns of his career as Benjamin Mee, the widower and father of two who, uh, well, buys a zoo. (In addition to being goofy, the title is also kind of a spoiler.)
I recently chatted with Damon and Crowe about the film for this Sunday Style piece, which, because of space limitations, couldn’t possibly capture the many topics covered during a 40-minute conversation. In addition to discussing New Yorker critic David Denby’s initial dismissal of “We Bought a Zoo,” we also talked about the impact that using music on the set (a signature Crowe move) had on Damon’s performance, as well as the acting abilities of their current multiplex competitor, Tom Cruise.
Here are more extracts from that interview, in which Damon uses big words like “amygdala” and says of Cruise, “He is a much better actor than I think people understand.”
Damon, on Crowe’s use of music during takes: There’s something that happens with music, and I’d never thought of using it this way, but it’s so brilliant because it’s so emotional. It’s like it leapfrogs your neocortex and goes straight to your amygdala and suddenly you’re feeling these things. It’s not rational; it’s going right really to your heart. As a performer, it’s just pulling stuff out of you.
That Jonsi music we have in the movie. . . . The song where I’m looking at the iPhoto stuff and looking at my wife [in the movie] — the song that’s in the movie is the song Cameron played that day, and it’s completely responsible for that whole sequence. It took me places that there is no amount of directing or cajoling or persuading he could have done to get me to that place. He didn’t say anything; he put the song on and we were gone. So that was something I’ve never seen before that’s an unbelievably valuable tool for me going forward, and eventually as a director.
Crowe, on why he changed his mind and decided to play music during certain takes of “We Bought a Zoo”: It happened on the first day when we were doing the scene in the hallway of the school. It was a close-up on Matt, and he kind of turned into the shot. I had two instincts: One is, wow, Matt has really connected to this character and this is the movie happening before me. And the second: I hear Tom Petty, “Don’t Come Around Here No More.”
So I put it on, on instinct, and something started to surge on Matt’s face and in the people around us, and it felt like music has always been for me, kind of an emotional partner. And suddenly we had kind of another character in the room, which was the music. As soon as the take was over, Matt and some other people came over and said, “Wow, I really felt that.” I think in that instant I pivoted and decided to keep doing it. And one of the reasons was because Matt just soaks up music. He’s a music fan, and the music was always a reminder of what movie we were in. And sometimes that’s so much more profound than anything you could say.
Damon, on whether he’ll use music when he makes his directorial debut next year: Definitely, definitely. I’m already thinking about that, when to use it and what songs. Because it really does work.
It was weird to come across a tactic — like, I thought I knew everything. Tactically speaking, without geeking out on theory, a lot of people make good movies, and I know a lot of them and we talk. And so, it was surprising to have this happen on the first day of filming. I was so excited. I had dinner with Ben Affleck that night, actually, and it’s all we talked about, was this Tom Petty thing that had happened. I just couldn’t believe it. I was like, man, you have no idea what this felt like. It was all about a feeling and being lifted by this music, and so yeah, it’s definitely something that I want to do. Because it works.
Damon, on what gets to him in Crowe’s movie “Jerry Maguire”:
There are a few parts, actually. I was watching it with my wife. It’s Tom [Cruise], is what gets to me. Tom’s performance is what gets to me, ultimately. He anchored that movie. He’s such a better actor than I think people understand, and that performance is still great 15 years later. It is worth going back and looking at again. It is one of the great leading-man performances.
When a movie gets to you, there are a bunch of things that start to work on you. The relationship between Cuba [Gooding Jr.]’s character and his wife, that starts to get to me. By the end of it I’m just so teed up for the final scene with Tom and Renee [Zellweger] in front of the women’s group. My wife looks over, and tears are running down [my face] and I’m wiping them away.
But it got to her, too. . . . I’m not ashamed to say that.
Crowe and Damon, on the possibility of Crowe making a movie that brings together Damon, Cruise and “Say Anything . . .” star John Cusack:
Damon: I love that idea.
Crowe: Oh, man. Tom Cruise came to visit the set when we were making “We Bought a Zoo,” and I kind of stood back at a certain point and watched the two of them talking, and I had the same idea. It’s like, damn. . . .
Damon: I had met [Tom Cruise] briefly a couple of times, but we really got to talk and, uh, spend a little time together. And then I talked to him on the phone after he saw some scenes. He dropped by the editing room and saw some stuff and called me. And that was amazing.
After the actor pulled out of directing the untitled film due to “scheduling conflicts,” Van Sant will now take his chair.
Matt Damon might not be directing his untitled drama he co-wrote with John Krasinski and Dave Eggers, but the project is far from dead.
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Matt Damon Won’t Direct Movie He Co-Wrote with John Krasinski
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Gus Van Sant will sit in the director’s chair after Damon fell out due to “scheduling issues.” (The actor said yes to several movies this year, and the time required to prep what would have been his directorial debut would have impacted his other commitments.)
Damon came to the realization he would be unable to direct during the holidays and called Van Sant, who helmed him in his 1997 breakthrough Good Will Hunting, to step in.
Damon will still star in the movie, along with which centers on a salesman (Damon) who arrives in a small town only to have his life changed. Krasinski was also due to star. The two are producing as is Chris Moore.
The next step for the project, which hopes to shoot in the spring, is financing. The project was initially set up at Warner Bros. in October but is no longer there. Discussions are underway with financiers to take it over.
Van Sant, repped by WME, last directed Restless, which starred Mia Wasikowska.
I’ve added more pictures from the We Bought a Zoo premiere and there’s a Today Show Clip at MSNBC Site. Thanks Roberta from Jim Parsons Web for the pictures.
Matt will be on Late Show with David Letterman this wednesday! Don’t miss it!
The clip is after the “Read more” link. It’s autoplay.
Matt Damon attented the We Bought a Zoo New York premiere yesterday, here are some pictures.
Awesome news! The Adjustment Bureau has been nominated for Favorite Drama for the 2012 People’s Choice Awards!