Matt Damon attented the We Bought a Zoo New York premiere yesterday, here are some pictures.
The poster is up in the gallery. The movie opens on December 23
The International trailer for We Bought a Zoo is out! Enjoy!
Director/Writer: Cameron Crowe
Cast: Matt Damon, Scarlett Johansson, Elle Fanning
Release date: December 23, 2011
Looks like Matt Damon and Ben Affleck are going to work together again. News from CNN:
Ben Affleck and Matt Damon are combining their star power once again.
Studio Warner Bros. Pictures tells CNN that Affleck is set to direct as well as co-star along with Matt Damon in a film about infamous gangster Whitey Bulger. The yet-to-be-titled film will be produced by the Boston filmmakers as well, under their production company Pearl Street Films.
Damon is signed on to portray Bulger, who was just recently apprehended after more than 16 years on the run.
“Sopranos” and “Boardwalk Empire” scribe Terence Winter is taking care of the screenplay, which will chronicle Bulger’s journey from his “misspent youth” to becoming one of the most notorious criminals in history.
The studio didn’t clarify what role Affleck will take on, but Deadline reports his brother Casey will also join the cast in a supporting role.
According to the site, Affleck says that he and co-star Damon “have been looking for something to do together for some time. We’ve heard about Whitey Bulger since we were kids, and we are excited about the prospect of putting it on screen.”
More articles about this:
Damon will make his feature directorial debut in the untitled pic
Matt Damon plans to make his feature directorial debut in an untitled, mid-budget drama that he and John Krasinski co-wrote and will star in together for Warner Bros.
Project will be set up at Krasinski’s Sunday Night Productions banner. Chris Moore will produce.
Pic is not the long-rumored “Father Daughter Time,” which many speculated in June, when Damon said he was considering a directing project with Krasinski in the cast.
Instead, project is something Krasinski came up with and developed with author Dave Eggers (who co-wrote Krasinski-starrer “Away We Go”). Damon would play a salesman who arrives in a small town only to have his whole life called into question. Krasinski’s role was not revealed.
Warner Bros. is yet to greenlight the project, and no individual deals are yet in place, though preliminary plans are to shoot the project on the East Coast in the near future.
Jesse Ehrman is overseeing for Warner Bros.
Sources tell Variety that the budget would be around $12 million and that the two would try to get a script finished within the next month.
While both Damon and Krasinski are known for acting, both have dabbled with off-screen work: Damon’s career skyrocketed after penning and starring in the Miramax pic “Good Will Hunting,” which won him an Academy for original screenplay.
Krasinski only recently started his writing career, having penned and directed the IFC pic “Brief Interviews with Hideous Men.”
Damon is currently filming the Sony/MRC co-production “Elysium.” Krasinski can still be seen on the NBC skein “The Office.”
Both thesps are repped by WME.
Looks like Liberace production will start next year! Sure seems like an awesome story! From Hollywood Reporter:
Michael Douglas and Matt Damon have been tapped to star in HBO Films’ Liberace biopic.
Behind the Candelabrawill star Douglas as Liberace in the project that takes a behind-the-scenes look at the relationship between the legendary entertainer and Scott Thorson, his younger, live-in lover (Damon).
The project will be executive produced by Jerry Weintraub (Ocean’s Eleven) and produced by Gregory Jacobs (The Informant!) and Susan Ekins (The Karate Kid series), with Steven Soderbergh (Traffic) directing the script by Richard LaGravenese (Water for Elephants).
“This is a story that’s going to surprise a lot of people,” HBO Films president Len Amato said Tuesday in announcing the casting. “It’s funny, heartbreaking and always fascinating, and we are delighted that Jerry and Steven brought the film to HBO. With Steven at the helm, directing such accomplished actors as Michael Douglas and Matt Damon, this is a dream project for us.”
Production will begin next summer in Los Angeles, Las Vegas and Palm Springs.
For Weintraub, the project marks a reunion with the premium cable network that aired his biopic, His Way this year.
“I’ve wanted to make a film about Liberace for a very long time, and after the amazing experience I had with HBO on His Way, I knew that they were absolutely the right place for this movie,” he said. “I am thrilled that we have the incomparable Michael Douglas to inhabit the role of Liberace, as well as the exceptional Matt Damon to play the pivotal part of Scott Thorson. Putting these two fine actors in the creative hands of Steven Soderberg — it doesn’t get better than that.”
Soderbergh, meanwhile, noted HBO’s “fearless approach” to original programming in bringing the project to the pay cabler.
“From the inception of this project, we’ve had two priorities: getting it right creatively, and getting as many people as possible to see it,” he said.
For Weintraub, the project marks the latest in a string of small-screen work. CBS earlier this month picked up The Producer, a period drama project. set in the world of the evening news.
Margaret is being released today on limited theaters and Many reviews are now out. Mixed reviews! And some stills.
Margaret, the long-awaited second film written and directed by Kenneth Lonergan (You Can Count on Me), has an offscreen history so fraught with drama it trumps anything in the movie. The tale of a ferociously precocious and high-strung Upper West Side Jewish girl, Lisa Cohen (Anna Paquin), who witnesses a tragic bus accident, the film was shot at the end of 2005. But Lonergan, contractually obligated to deliver a two-hour movie, fell in love with his three-hour version (so did Martin Scorsese, who is said to have called it a ”masterpiece”), and he refused to cut it. Six years and several lawsuits later, Fox Searchlight is releasing a two-and-a-half-hour version of Lonergan’s film, which has been on the shelf so long that Paquin still looks like a teenager, Matt Damon (as her geometry teacher) is still skinny, and at one point someone imitates Bobcat Goldthwait.
So was Margaret worth the wait? Lonergan’s dialogue can sweep you up in a whoosh of personality and ideas, but it’s hard to see what, apart from ego, convinced him that this story was so epic. Lisa fixates on the accident because she was flirting with the driver (Mark Ruffalo) when he ran a red light and killed a pedestrian. First she lies about what happened, then she changes her story in a fit of guilt and rage. She makes the accident about her, which is why she must learn that it wasn’t. The trouble is, it’s a lesson we grasp all too early on. Margaret may be the longest film ever made about the moral education of a selfish, annoying princess. B-