Sony Pictures has won the bidding war to distribute Neill Blomkamp’s thriller Elysium, with Universal Pictures in talks to co-finance the project.
Neill Blomkamp started setting up meetings with other studios today, but those meetings were canceled after the Sony/Universal scenario came together. We reported last week that Jodie Foster joined the movie alongside Matt Damon and Sharlto Copley.
Little is known about the storyline of Elysium, although it is believed to be set 100 years in the future on another planet. Elysium is slated for release in late 2012, with pre-production set to start in April, and filming slated to begin in July. Filming will take place in Vancouver and Mexico City.
Media Rights Capital, which is producing Elysium, has also signed a deal for another Neill Blomkamp project entitled Chappie. That movie will start production immediately after Elysium finishes. No plot details were revealed for Chappie.
Elysium comes to theaters in 2012 and stars Sharlto Copley, Matt Damon, Jodie Foster. The film is directed by Neill Blomkamp.
Rooster Cogburn can’t do nothing for you, son — nothing but entertain, that is, as the one-eyed, hard-drinking lawman currently enjoys his stint as the most-watched hero in theaters across the country.
After three weeks at the box office, Joel and Ethan Coen’s “True Grit” has emerged with a shiny gold medal for its very first weekend victory. The Western, starring Jeff Bridges and Matt Damon, roped in a winning reward worth $15 million over the weekend, a modest result but enough to secure first place. “True Grit” currently stands atop a domestic gold mine worth $110.4 million, easily the Coen brothers’ single-best performer of all time with virtually no signs of slowing down in sight.
As Cogburn’s quest to bag-and-tag the cowardly Tom Chaney and Lucky Ned Pepper’s gang continued to electrify moviegoers everywhere this past weekend, Ben Stiller and Robert De Niro’s “Little Fockers” lost its grasp on audiences. The comedy threequel fell to second place, earning $13.8 million and bringing its current tally up to $124 million.
The first new wide release of 2011 landed with a dud, as “Season of the Witch” tracked down a measly $10.7 million bounty from Friday through Sunday. Starring Nicolas Cage and Ron Perlman as a pair of Crusades-era warriors escorting a suspected witch to a faraway monastery, “Season of the Witch” failed to make an impression with the moviegoing masses, barely putting a dent into its $40 million production budget.
The fourth place “Tron: Legacy” continued on its path towards clearing its production budget, while “Black Swan” managed yet another impressive showing by earning an $8.4 million fifth-place finish. “Country Strong,” which expanded into wide release over the weekend, performed decently with $7.3 million to its name.
The actor inists the rights are available, and he’d happily make the movie with director Paul Greengrass at the helm.
Despite saying he wasn’t against Universal’s plans to continue the series without him and Greengrass, Damon has made it clear he resents the way he found out, hearing about it through the press, like everybody else.
Damon told Empire, “No one told me, literally nobody called me. People think I have inside information, but you can get a sense of where I am in the pecking order.
“I’d do it again with Paul. Universal doesn’t actually own the Bourne character – the estate does – so technically I could go to Warner Bros… and Universal could read about it online.”
Matt Damon played the amnesiac assassin in three movies between 2002 and 2007, while Paul Greengrass helmed the second two movies, Supremacy and Ultimatum, to much critical acclaim.
Last summer Universal announced plans for a fourth movie, which would feature characters from the previous movies, but wouldn’t include Jason Bourne himself, nor would it be directed by Greengrass. Universal did, however, leave the door open for Damon’s return.
The duo, who teamed up to give us the Bourne Trilogy would, according to Matt Damon, be well within their rights to make their own movie based on the famous spy novels as Universal don’t own the exclusive rights to Jason Bourne’s adventures. Judging from his interview with Empire, it seems that Matt Damon is pretty annoyed that no one has informed him on an official level about Universal’s intentions to make a new Bourne movie without him and Paul Greengrass…
“No one told me, literally nobody called me. People think I have inside information, but you can get a sense of where I am in the pecking order. I’d do it again with Paul [Greengrass]. Universal doesn’t actually own the Bourne character – the estate does – so technically I could go to Warner Bros… and Universal could read about it online.”
The star features in all three of the current films, as action star Jason Bourne. But late last year rumours circle that Matt would not be reprising his role.
Now the star has confirmed that bosses are planning on taking the Bourne films forward without him, revealing he only found out they were planning to make a fourth movie after he found out over the internet.
‘I read online they are doing another Jason Bourne movie with Tony Gilroy directing that I’m not in,’ the Sun reports the angry star as saying.
Now it’s thought Matt might even make his own version of the new Bourne movie, along with director of the previous three films, Paul Greengrass.
‘I’d do it again with Paul. Universal doesn’t actually own the Bourne character – the estate does – so technically I could go to Warner Bros… and Universal could read about it online,’ he said.
Will the Bourne films be the same without Matt Damon? Or would you like to see the star make more of the hit movies? Let us know your thoughts in the comments box below.
The CDC is starring in a new film with Matt Damon, Jude Law, Kate Winslet, Gwyneth Paltrow and Laurence Fishburne.
The movie, “Contagion,” is filming some scenes today over at the Centers for Disease Control and Prevention. If you work or live over that way, expect more traffic than usual, given all the crew and gear.
The movie has been allowed onto the campus of the CDC, to film some exterior shots, but isn’t shooting inside the building.
The production did a good bit of filming in Chicago before heading to Atlanta, and it’ll be here for a while. We hear that in addition to the CDC/Emory area the film will be shooting some in Decatur as well as downtown Atlanta. Based on what we’re hearing, it sounds like the downtown W hotel might be a good spot to keep your eyes peeled for a star encounter.
The movie is billed as a bio-med drama, where a team of doctors must race to find a cure for a deadly epidemic. It’s the second project here recently to feature the CDC in its plot line. The final episodes of the first season of AMC’s “The Walking Dead” set scenes in the CDC, but did not actually film there. Instead, the Cobb Energy Performing Arts Centre played the role of the CDC.
Unlike “The Walking Dead,” the movie “Contagion” doesn’t feature zombies – and doesn’t plan to have the CDC explode.
There used to be a rumor that William Goldman was the true screenwriter behind Good Will Hunting, rather than Ben Affleck and Matt Damon, who won an Oscar for that script. As Goldman himself put it in his denial of the rumor, “People don’t want to think those two cute guys wrote it.“ But it turns out Affleck and Damon actually had help from another film legend: Terrence Malick. Malick happens to be best friends with Affleck’s godfather, so Damon and Affleck visited the director in Boston while they were writing the film. Damon recalls:
“We had it in the script that my character and Minnie’s left together at the end of the movie. Terry didn’t read the script but we explained the whole story to him, and in the middle of the dinner, he said, ‘I think it would be better if she left and he went after her.’ And Ben and I looked at each other. It was one of those things where you go: of course that ‘s better. He said it and he probably doesn’t even remember that he said it.”
According to Damon, Malick cited his inspiration for the new ending from Italian cinema:
“[Malick] started talking about Antonioni. ‘In Italian movies a guy just leaves town at the end and that enough.’ And we said of course that’s enough. That’s where we come from. If you just leave that’s a big enough deal. It doesn’t have to build up to anything more.”
I’ve always liked the ending to Good Will Hunting, so it’s funny to hear that it was at one point much, much worse. In fact, the script benefited from the punch-up work of another legendary film director: Rob Reiner. Damon told Tom Shone [via Vulture]:
“The original script that we sold had this high concept thing where the government was trying to get Will. Rob Riener sat with us for script meeting and said ‘Why don’t you guys take all that stuff out?’ Wait a minute. We can do that? ‘Yeah its enough just to make the movie about these guys. That’s a really good movie. That’s what we really love about it. And we said ‘We thought there was this whole high concept thing.’ ‘No you don’t need any of that.’ “
Ironically enough, the most useless advice came from Gus Van Sant, the director of Good Will Hunting:
“At one point after Gus [Van Sant] became involved I was shooting The Rainmaker in Memphis and everyone came down for script meeting. Gus came down and said ‘I want to do a draft where Chucky, Ben’s character, dies on the construction site.’ And Ben and I were just mortified. ‘What are you talking about’ ‘I want him to get crushed like a bug.’ We said ‘Gus what are you talking about? You cant just fucking smush Ben. That’s a terrible idea.’ Gus said ‘No, I really want to see what would happen.’ So we did a whole new draft on weekends of The Rainmaker, when I wasn’t working, we would write, Ben and I did a whole draft, with a wake and everything. It was took a left turn and went into this other place. The scenes in a vacuum I thought were good, but we still didn’t like the idea, then Gus read it said ‘Okay, its a terrible idea let’s go back to what we had.’”
Fascinating. Good Will Hunting is already a very flawed movie (video at their site). I’d love to see this bizarro version where Damon is a spy, Affleck dies, and everything ends happily ever after.
The actor has wanted to work with the Coen brothers for years and got his chance as the verbose Texas Ranger LaBoeuf in the western remake.
On a clear New Mexico morning this year, Matt Damon sat and watched the Coen brothers and the crew of “True Grit” as they prepared horses, six-shooters and the camera for the next scene. With more than three dozen feature films under his belt, it could have been just another mundane moment between close-ups, but instead Damon holds on to the snapshot memory with scrapbook affection.
“We were halfway through the movie and I was sitting on the set, we were doing this corn dodger scene — the characters are throwing these little cornbread cakes up in the air and shooting at them, it’s ridiculous — and it really hit me,” Damon recalled. “I turned to [cinematographer] Roger Deakins — he and I go back, we worked on ‘Courage Under Fire’ in the 1990s — and I said to him, ‘Roger, this is really special, right?,’ and he smiled and he said, ‘Yeah, it really is.'”
“True Grit” has just arrived in theaters as an idiosyncratic gun-smoke adventure with characters who talk like prophets as they ride through rivers, snow and ravines in search of revenge and reward. It’s the first visit to the Old West by the Coens — the Oscar-winning filmmakers best known for “No Country for Old Men” and “Fargo” — and their cast is led by a grizzled Jeff Bridges, the young newcomer Hailee Steinfeld and Damon, who plays a Texas Ranger who may be more windbag than Winchester.
“I am,” Damon declared with mock pride, “a true nincompoop in this movie.”
“True Grit” presents the story of a 14-year-old girl (Steinfeld) who hires a battered and boozy U.S. marshal named “Rooster” Cogburn (Bridges) to hunt down the dim outlaw ( Josh Brolin) who murdered her father. Tagging along on the manhunt is Damon’s Lone Star lawman, LaBoeuf (pronounced “la beef”), who fits in nicely with the Coens’ long cinematic parade of quirky and feckless souls.
That’s not to say that LaBoeuf doesn’t have his moments of valor. Joel and Ethan Coen, though, have stacked the deck against the character; their script is far more faithful to the 1968 novel by Charles Portis than the first Hollywood adaptation (which was released in 1969 and won an Oscar for John Wayne in the Cogburn role), but there is a major added scene of comedic mayhem that leaves the verbose LaBoeuf sputtering blood.
Damon can barely recount the filming of the scene without seizing up with laughter and a bit of lingering horror as well. Without giving too much away, LaBoeuf suffers a significant tongue injury and Cogburn, announcing that he once knew a teamster with a similar injury, reaches down to rip away the flap of flesh. On the set, Joel Coen advised Damon to really enunciate his dialogue, and on the big screen it’s hard to forget Damon’s stricken expression in the moment.
“It’s such a horrible situation, blood is gushing out of my mouth, I’ve been shot and there’s this guy sticking his filthy hand in my mouth, ‘I will rip it free,’ and I’m trying to get him to stop, and as soon as they yell ‘cut’ we just fall down laughing,” Damon said. “It was that kind of stuff. I would come home and tell my wife, ‘I am having so much fun on this movie.'”
Damon reserved a special brand of praise for Bridges, the 61-year-old star who grew up in Hollywood, put together decades of integrity work and now is enjoying a new stratum of acclaim as a celebrated elder statesmen.
“When he works and things are clicking like they were on this film, he’s in a state of just pure joy, and you can feel it, everyone can,” Damon said. “It was a relief in a way too. When you work with someone you really respect and admire, you always have that worry that they’ll be a [a jerk]. To have him show up and live up to his reputation in every way and be so wonderful, it made it all memorable. He’s a good guy, and that’s what you want him to be.”
And if Damon had to list the people who weren’t the good guys as he had hoped? The 40-year-old actor let out a sharp laugh. “That’s at the end of my career. Can I call you back on that one?”
Damon was speaking by phone from frosty Chicago, and he was in no hurry to hang up. The wind outside was too frigid, the hotel room too quiet and his wife and children too far away. “It’s like 10 degrees here, I’m not going anywhere,” said the father of three, “and it’s nice to have a grown-up conversation any time.”
The Illinois visit was for “Contagion,” the Steven Soderbergh pandemic thriller that also stars Marion Cotillard, Gwyneth Paltrow, Kate Winslet, Laurence Fishburne, Elliott Gould and Jude Law. “It’s an ensemble movie because, you know, everybody is dropping like flies.” Damon will reunite with Soderbergh for the biopic “Liberace,” which has Michael Douglas slated for the lead role and Damon as the music star’s lover. The Cambridge, Mass., native is also reportedly in talks to star in the sci-fi film “Elysium,” from “District 9” director Neill Blomkamp.
Damon has become a signature Hollywood star for his generation after the Jason Bourne films, two Oscar nominations for acting (“Good Will Hunting” and “Invictus”) and his work with directors such as Steven Spielberg, Martin Scorsese, Clint Eastwood and Soderbergh. There’s also his winking appearances on “30 Rock” and his ongoing comedy feud with Jimmy Kimmel and his good-karma portrayal in the tabloids as an earnest family man and co-founder of Water.org, which champions the cause of safe drinking water and sanitation in impoverished regions.
It was 13 years ago this month that Damon found his real breakthrough with the release of “Good Will Hunting,” which he starred in with Robin Williams and Ben Affleck. Damon and Affleck won Oscars for the script. That film followed the good notices Damon earned a year earlier in “Courage Under Fire” and was followed in short order by Damon’s successes in “The Rainmaker” and “Saving Private Ryan.”
Damon has a flinty American everyman quality that he can play against — as he does as the haunted-soul assassin in “The Bourne Identity” — or channel with unexpected tints, as he did this year in Eastwood’s “Hereafter.” “He’s a gem to work with,” Eastwood said. “He has this reticent Americana persona on screen, and he brings a lot to the set with his writing background and insights.”
Bridges echoed those sentiments: “For ‘Grit,’ he took this character and just ran off with it. He’s a guy that does terrific work and makes good choices, and that’s a big thing in the long haul of a career.”
For years, Damon has wanted to work with the Coens. Back when Damon was working on the 1999 film “The Talented Mr. Ripley,” he would lean forward as Philip Seymour Hoffman told tales of Coen filmmaking. The actors were especially impressed by the Coens’ tradition of giving their cast a daily visual aid by distributing the sketches of storyboard artist J. Todd Anderson.
“Phil had just done ‘The Big Lebowski’ with them, and he was telling me how every day on a Coen set when they hand out the sides — the miniature version of script pages for the day — they also hand out the boards,” Damon said. “You can look at the movie, in a sort of cartoon form, and know what all the shots are. Phil was like, ‘You’re not even going to believe it if you work with them, because you not only know what the scene will look like but you know what shots you will be in.’ That gives you so much as an actor.”
The flip side of that, Damon suspected, was that the shoot would be intensely regimented and perhaps even smothering when it came to improvisation. “But really what happened is they are so deep into the material by the time they actually are on the set shooting that they aren’t afraid to improvise,” the actor said. “They were pretty loose. We had a lot of fun out there.”
If Damon were describing his LaBoeuf character to one of his young daughters he might use a “Toy Story” example — the Texas Ranger dresses like Sheriff Woody but acts like the doofus do-gooder Buzz Lightyear. Damon said he and Joel Coen came to the idea of making the cowboy a sort of Cliff Clavin of the Old West by modeling him on Texas actor Tommy Lee Jones but subtracting the notable fact that Jones is a Harvard-educated intellect.
“The plan was a Tommy Lee who didn’t know what he was talking about — and never stopped talking,” Damon said. “And to practice for the tongue [injury] I actually took one of my daughter’s ponytail bands — one of her hair ties — and just wrapped it around my tongue to try to get this way of talking down. I’m sure the neighbors heard me and just shook their head and thought, ‘This whole Hollywood thing has just gotten to him.'”
By Geoff Boucher, Los Angeles Times. Source
Matt Damon chatted up an impromptu circle of female fans while on set for his newest film Contagion on Thursday in Western Springs, Illinois.
The film itself stars four Oscar winners: Damon, Gwyneth Paltrow, Marion Cotillard and Kate Winslet, as doctors and ordinary citizens who have no choice but to try to contain the outbreak of a deadly virus.
More photos at celebuzz.com.