When director Kevin Smith revealed at Sundance that he is self-distributing his horror movie Red State, he also announced that Hit Somebody will be his final movie as a director. Earlier today, Kevin Smith announced that he plans to bring back actors Ben Affleck and Matt Damon for cameo appearances in Hit Somebody. Here’s what he had to say about the actors portraying Boston hockey players in his movie.
“They’re all coming back. It’s like The Muppet Movie. You’ve got your core cast, and then a zillion cameos. It’s going to sum everything up. We’ll have a team in Boston, and who do you think I’m going to call? Both of those dudes.”
He even said that he would extend an offer to Bruce Willis, who starred in his movie Cop Out, to cameo in Hit Somebody.
“I’m not even ruling out Bruce Willis at this point. I’d duck, but I’d put a stick in Willis’ hand.”
Hit Somebody, which is based on the song by Warren Zevon, will center on a hockey enforcer who aspires to be more well-rounded player.
Hollywood heavy-hitter Matt Damon has his head on straight, as CARMEL MELOUNEY discovers
MATT Damon is renowned as the consummate Hollywood professional, so it feels a little disconcerting to walk into a hotel room and be ignored by the man crowned Sexiest Man Alive in 2007.
It’s especially awkward because only two people are in the room.
In New York to discuss his new film, Hereafter, Damon is anxiously awaiting news from his wife Luciana, who is about to give birth to her fourth baby and the couple’s third child together.
The Oscar-winning actor met his Argentine wife while she was bartending in Miami in 2003.
Damon’s dedication to his family is evident as he frantically texts on a Blackberry after taking a seat, and apologises for his lack of attention.
“OK, I’m a terrible multi-tasker,” he says as he drops his Blackberry on the floor. While other actors may have appeared rude as they juggled a Blackberry and a waiting journalist, Damon is unfailingly polite about it and clearly uncomfortable with having to do so.
Film: ‘Inside Job’; Director: Charles Ferguson; Voiceover: Matt Damon; Rating: ****
It was literally the greatest heist of all times, the type that erstwhile conquerors of the world would wonder how someone could do it without killing millions in the process. And it is a heist that has largely gone unpunished.
On Sep 15, 2008, Lehman Brothers declared bankruptcy, beginning the collapse of the financial system globally. Many more companies underwent the same fate causing literally millions to lose their life savings and millions more, their jobs. The answer to the question as to who caused it, and how, has largely remained fragmentary… Until now.
‘Inside Job’ gives the much-needed and extensive full picture.
‘Inside Job’ is eerie, and surreal in its reality. Narrated by Matt Damon, it seems like the story of the wild wild west, and how a few greedy cowboys managed to do what was once the purview of marauding conquerors – loot, plunder and ravage through the financial world triggering a kind of collapse the world has not seen since the depression of the 1930s.
That great depression was largely limited to the US. In a globalised world, this one threatened to collapse the entire law and order and democracy of the world, had it not been stemmed.
The film weaves together the story of the collapse by interviewing the key people who warned against this impending doom beforehand and thus suffered for it from a world keen on growth and development, but not the truth. Obviously, the ones most responsible refused to be interviewed. But the recordings at a congressional hearing throw some startling light about the quality of people on whom the fate of the financial system rests.
The film beautifully refuses to be just confined to numbers, as it throws in a psychiatrist and a prostitute, both of whom have ‘serviced’ the wall-street gangs and thus gives a mental evaluation of the men who handle our money, and also what they do with it.
‘The Adjustment Bureau,’ starring Matt Damon as a congressman named David, is a sci-fi romantic drama based on a short story by Philip K. Dick. His co-star Emily Blunt plays a ballerina trying to get closer to David, but a secret organization behind the forces of time and space keep driving them apart.
On Feb. 11, both stars will be in the Moviefone Unscripted studio to answer your questions, as well as ask each other what they’ve been wondering.
Ask Damon how he prepared for playing a congressman, or if he enjoys big-budget action movies more than smaller, indie movies. Ask Blunt what the best part about working with Damon was and whether she did anything special to prepare for playing a ballerina. Ask them whatever you’d like!
Leave your question in the comments below, including your name and location. Then, check back here on Monday, Feb. 28, to see if Damon or Blunt answered your question!
‘The Adjustment Bureau’ premieres on March 4, 2011.
Damon will be narrating the new PBS documentary Plan B: Mobilizing to Save Civilization, the latest installment in the “Journey to Planet Earth” series. The 90-minute doc is based on the book by climate crusader Lester Brown, and discusses the very real impact of climate change, and what we all must do to prevent future catastrophes. Joining Lester Brown and Matt Damon in the documentary are Nobel Laureate Paul Krugman, Pulitzer Prize winner Thomas Friedman, former Governor and Secretary of the Interior Bruce Babbitt, and others.
The documentary looks fascinating, and aims to provide “a glimpse into a new and emerging economy based upon renewable resources as well as strategies to avoid the growing threat of climate change.” Lester Brown seems to have some ambitious but realistic solutions, so let’s hope this plan goes into action.
The film will premiere on PBS on March 30th at 10pm Eastern.
Judging from Matt Damon’s body of work, one would think that Hollywood has definitely been kind to him. In fact, with his latest movie, it seems Damon’s lucky streak still holds. “True Grit,” his upcoming starrer directed by the Coen (Joel and Ethan) Brothers, is creating quite a buzz in the Oscars; but more so, it has been an opportunity for Damon to finally suck it up to the two directors he’s been dying to work with.
An adaptation of Charles Portis’ novel with the same title instead of a remake of the 1969 film, expectations are high considering the original movie was a John Wayne classic for which he won his only Oscar. “It’s hard to find material that feels like it’s not just a retread of something,” Damon says. “But this is a western that deserved to be made. I think Clint (Eastwood) did it to great effect 15 years ago but I read everything and I hadn’t come across a script that was this good, with directors of this caliber and a role like this. It was a very easy decision for me.”
The fact is, even Damon admits that choosing movie roles hadn’t been too hard for him since he did the Bourne series. “Suddenly my choices became really easy –like Paul Greengrass would call or Martin Scorsese. It’s ridiculous! Like, someone would ask me ‘why did you do this movie?’ Well, that’s easy, if Martin Scorsese asks me to do a movie I’m there. It’s not even a choice. If the Coen Brothers ask you to work with Jeff Bridges on ‘True Grit,’ that’s easy. I was in before I knew what the movie was. And then I looked at it and the script is great.”