Writer/director George Nolfi leads MTV News through the film’s trickier scenes.
So far, 2011 has been woefully lacking in the damn-that’s-cool sci-fi department. “I Am Number 4,” alas, just didn’t cut it.
But this weekend brings us a sci-fi respite, before summer movie season begins, in the form of “The Adjustment Bureau.” Based on a Philip K. Dick story, the flick’s conceit is that there’s a vast, supernatural force — the titular adjusters — that controls and guides the fate of humanity. For star Matt Damon, that means his quest to achieve political superstardom and bed Emily Blunt is propelled, and sometimes compromised, not just by free will, but by the adjusters dictating his fate.
The adjusters, played by the likes of John Slattery and Anthony Mackie, have abilities that range from “freezing” people to make behavioral changes to turning normal doors into geography-leaping portals. For all this high-concept trickery, though, the entire movie maintains a realistic feel — partly because of the filmmakers’ aesthetic and partly because they weren’t working on an “Inception”-like budget.
Writer/director George Nolfi (making his directorial debut after penning scripts like “The Bourne Ultimatum”) gave MTV News a call to take us behind the scenes of the film’s coolest elements.
Why Are the Adjusters Dressed Like “Mad Men” Extras?
Perhaps it’s just because Slattery, a star of “Mad Men,” rocks a slick-looking suit throughout, but many people have been wondering: Why do the adjusters looked like they just stepped out of the hit AMC show?
“I wanted the bureau to have a throwback quality to suggest they’ve been here forever,” Nolfi explained. “They have to blend into our world and yet the audience has to be able to pick them out of a crowd. They’re wearing suits that you’d just think, ‘They’re very well-dressed, that’s a guy who reads GQ.’ The suits and hats are all from different eras — ’30s, ’40s, ’50s, ’60s.”
But not all adjusters wear suits — just the ones, for instance, who follow a suit-wearing politician like Damon. Each adjuster dons gear that allows them to blend in with the person they’re following. “I cut out some scenes where other people from the bureau are much more informally dressed,” the director said. “They’re in black jeans and leather vests and baseball caps. They’d be following someone like me around, when someone in a suit and a fedora would be very obvious.”