Sunday May 22nd, 2011 · by Annie

Gallery Updates: Green Zone Screencaps

Screen caps from the movie, enjoy!

  • Movies > Green Zone > Screen Captures
  • Wednesday May 18th, 2011 · by Annie

    Gallery Updates: Hereafter Screencaps

    The lastest on DVD/Blu-Ray. Beautiful movie! Enjoy the caps!

  • Movies > Hereafter > Screen Captures
  • Wednesday May 18th, 2011 · by Annie

    Gallery Updates: The Good Shepherd Screencaps

    Following up on updates, now it’s The Good Shepherd.

  • Movies > The Good Shepherd > Screen Captures
  • Wednesday May 18th, 2011 · by Annie

    Gallery Updates: The Bourne Supremacy & Ultimatum Screencaps

    Screencaps from both movies are up in the gallery.

  • Movies > The Bourne Supremacy > Screen Captures
  • Movies > The Bourne Ultimatum > Screen Captures


  • Friday May 13th, 2011 · by Annie

    Martin Scorsese Trying to Edit Kenneth Lonergan’s ‘Margaret’ Out of Limbo

    This year, movies like Battle: Los Angeles, I Am Number Four, Hoodwinked 2 (did anyone even see the first one?), another Tyler Perry movie, Red Riding Hood, and the Justin Bieber documentary all easily made their way into theaters. Know what hasn’t come out this year (or the past couple) while films like Something Borrowed get their big studio pushes?

    Margaret.

    Kenneth Lonergan‘s follow-up to his brilliant debut, You Can Count on Me, has had a notoriously rough time making it to theaters, both due to legal issues and a dispute over final cut.

    The film was shot almost six years ago. The editing process has been called a nightmare. Lonergan has a three-hour cut that Fox Searchlight isn’t too keen on releasing. Why? Because they won’t release a version over two hours long. Lonergan has final cut, which hasn’t made the situation any easier. Great talents such as Thelma Schoonmaker, Martin Scorsese, Scott Rudin, and Sydney Pollack did passes on the film to get it down to a shorter length.

    And right now, Scorsese is doing another edit of the film with Lonergan.

    I was lucky enough to speak with the movie’s co-star Mark Ruffalo yesterday for his directorial debut, Sympathy for Delicious, and of course, I had to ask about Margaret. Ruffalo described the three-hour cut he saw as a “masterpiece” and explained that “it’s a love letter to a post-9/11 America and New York City.”

    You’d think a film of that possible caliber and with a cast including Matt Damon, Anna Paquin, Matthew Broderick, Jean Reno, Kieran Culkin, Olivia Thirlby, and Ruffalo would be a sure thing for awards season, but sadly, that’s been proven incorrect over the past few years. The reality that a bold talent like Lonergan has to fight this hard to get this film released is a truly sad commentary on commerce kicking art’s ass.

    Here’s part of my exchange with Ruffalo on the status of Lonergan’s long-awaited film:

    When will we actually be able to see Margaret?

    Ruffalo: [Sighs] Oh, it’s so… I don’t know. Marty Scorsese has come on now to do a pass on it with Kenneth. It was a movie that started at 186 pages. It was just a very, very finely interwoven piece of material and it’s so beautiful. When he tried to cut it down, he had a very hard time. The studio was saying they wanted no more than two hours, and the rough cut I saw was a little bit over three hours long. It was absolutely incredible. It was beautiful, moving, and such a fine piece of work on so many levels. It was beautifully shot, beautifully acted, and the writing is incredible. It’s a love story to a post-9/11 America and New York City.

    He couldn’t get it cut down. He had a really hard time. The studio, basically, said they weren’t going to release it. That’s where it’s been. It got tied up in lawsuits with Gary Gilbert, who tried to take the movie away and have someone else edit it behind Kenny’s back. It was a surreal, big, ugly thing. Now Kenny has got it and Marty is kinda arbitrating his cut. Hopefully, we’ll be seeing it soon.

    Source

    Friday May 13th, 2011 · by Annie

    Matt Damon to Make His Directorial Debut with Father Daughter Time?

    First time you hear Father Daugher Time, it sounds like one of those titles on posts where they are shooting big projects at everyday locations (remember Rory’s First Kiss?). But alas, this title is true to its name and is already considered a huge project. Father Daughter Time: A Tale of Armed Robbery and Eskimo Kisses, written by Matthew Alrdich, is about a man who goes on the lam with his daughter on a three-state crime spree. This film is already under the watchful eye of various studios with one ahead of the four.

    Deadline is reporting that Warner Brothers, Paramount Pictures, Relativity Media, Walter Parkes, and Matt Damon and Chris Moore have made offers to buy the script. But Warner Brothers has already made the moves to be the one studio with the exclusive rights to produce the pic, with Matt Damon likely to star in and make his directorial debut.

    According to the site, Alrdich wasn’t looking for making a deal and just wanted to make a movie. With five parties vying for the rights of the film, it looks as though he got more than he bargined for. But the scribe said that “The script is not high concept, it’s a smallish, very personal, dark but playful road movie about a father and daughter.”

    Intially Alrdich was worried that his script would become a big budget film and he wants to keep it in the spirit of the indie film. But with the possibility of Matt Damon being involved in both an acting and directing capacity, there is a chance that it could stay true to Alrdich’s vision.

    When one of the biggest movie stars in the world, who also happens to be an Academy Award-winning screenwriter, gets on the phone with your client and offers to protect the writer’s vision and opens his hand to be a creative partner, it’s hard to say no,” Ross said. “The money becomes secondary. This script is not the obvious studio movie. There are no explosions. It will require delicate handling. Avoiding years of development hell was our goal.

    Considering that Damon has starred in some of the biggest and smallest projects with some of the best directors in Hollywood, one has to wonder what we can expect from the actor should he decide to direct. It’s possible that we could see some Coen Brothers, George Clooney, and Clint Eastwood influences on this film, and I think this small indie film is perfect way for the actor to to possible kick start his directing career.

    Source

    Friday May 13th, 2011 · by Annie

    Warner Bros Buys Hot Spec, Matt Damon Circles As Star And Director

    EXCLUSIVE: In a $500,000 against $800,000 deal, Warner Bros is finalizing a deal to acquire Father Daughter Time: A Tale of Armed Robbery and Eskimo Kisses, the Matthew Aldrich spec that Deadline told you yesterday had five bids on the table. The deal is just happening, and I expect the next development to be that Matt Damon is working on this picture as its star and also eyeing it as potentially the one on which he’ll make his feature directing debut. He will also produce through his WB-based company Pearl Street, with partner Ben Affleck, Chris Moore and Drew Vinton also producing.

    This has been a spec auction with some big twists and turns, because one of the bids that rivaled the one from Warner Bros was made by Damon and Moore, with money from a private financier. Other bids came in from Paramount (with JJ Abrams attached to produce), Fox (for Peter Chernin), Mandate, Walter Parkes through his discretionary fund, with Relativity Media and others also in the mix.

    The script focuses on a man who goes on the lam with his daughter, his accomplice on a three-state crime spree.

    CAA, Aldrich’s manager Jewerl Ross and attorney Jamie Feldman were working on the auction all day yesterday and by last night, it looked like Damon and Moore would land the deal, but this morning Warner Bros upped the ante. Since the studio has a first-look deal that Damon made with his and Moore’s former Live Planet partner Affleck, it shouldn’t be a difficult maneuver to plug Damon right into the center of the film.

    This is a strong spec sale at a time when not a lot of money is being paid in the marketplace for scripts that don’t come with attachments. Adrich said that he wrote his script on and off, putting it down when he was hired on assignment and picking it back up. “The spec road wasn’t really the plan, I finished the draft, gave it to my manager and new agents, who loved it, and the idea was to attach a director,” he said. “It took off from there.” While specs are considered the riskiest form of employment right now, Aldrich said it has worked well for him.

    “The one film I’ve had produced was a spec, so I guess I’m batting 2 for 2,” he said. “Specs are turning out to be a pretty good business model. But the idea wasn’t to make a deal, it was to make a movie. The script is not high concept, it’s a smallish, very personal, dark but playful road movie about a father and daughter.”

    The reason they were heading for the independent offer, according to Ross, was becasue they wanted to protect the vision of the film and feared that would be difficult at a studio. But they sparked to the continued involvement of Damon, who has pledged just that.

    “When one of the biggest movie stars in the world, who also happens to be an Academy Award-winning screenwriter, gets on the phone with your client and offers to protect the writer’s vision and opens his hand to be a creative partner, it’s hard to say no,” Ross said. “The money becomes secondary. This script is not the obvious studio movie. There are no explosions. It will require delicate handling. Avoiding years of development hell was our goal.”

    Source

    Tags: Movie News
    Thursday March 24th, 2011 · by Annie

    Damon, Douglas to lock lips in Liberace

    Actor Matt Damon has revealed he is looking forward to lock lips with Michael Douglas for their new movie.

    Damon will play Douglas’ lover in a movie about gay piano legend Liberace.

    “It’s scripted that there’s more than one. I never thought I would get to kiss Michael Douglas,” contactmusic quoted Damon as saying.

    Douglas, who revealed in January that he is in remission for stage four throat cancer, is equally enthusiastic about the project.

    “I’m just going to get really comfortable so it’s not a caricature. Matt Damon’s going to be my younger lover. God bless Matt. I saw Matt and I was teasing him. I was saying, ‘Bring a lot of ChapStick, babe,” said Douglas.

    The film will be helmed by Steven Soderbergh.

    Source

    Thursday March 24th, 2011 · by Annie

    Matt Damon’s Hairy Close Encounter

    Matt Damon comes into close contact with a real-life grizzly bear on the set of his upcoming film “We Bought A Zoo” March 22, 2011. The large furry bear is seen walking back and forth on a closed off street with Damon and his co-stars inside a Ford vehicle. The bear’s trainer is seen making a hand signal to get the bear’s attention towards Damon’s car window – and at one point mounts himself on Matt’s car, blocking Damon inside the car. (Juan Sharma/PacificCoastNews)

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    Thursday March 17th, 2011 · by Annie

    Hereafter home video sales to benefit Japan relief efforts

    The Matt Damon-starring movie “Hereafter” was pulled from theaters in Japan earlier this week, and Warner Bros. is using the film’s Tuesday release on DVD and Blu-ray as a way to raise money for relief efforts.

    According to the L.A. Times, Warner Bros. Home Entertainment is donating an unspecified percentage of DVD and Blu-ray sales to the Japanese Red Cross Society following the devastating earthquake and tsunami that hit the nation last Friday. Those familiar with the matter tell the Times that the donation will be in the ballpark of $1 million.

    The Clint Eastwood-directed film focuses on grief and the afterlife, but it does contain a scene depicting a tsunami wreaking havoc on a coastal town. It’s been playing in Japan since February. A Warner Bros. rep explained to CNN, “In deference to the tragic unfolding events in Japan, we have pulled ‘Hereafter’ from the theaters.”

    The Warner Bros. rep added that the opening of Anthony Hopkins’ horror thriller “The Rite,” which was originally scheduled to bow this weekend in Japan, has been postponed.

    Source

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